A Quote by Paul Auster

Life is deeply tragic and also very comic at the same time. It's everything at once. — © Paul Auster
Life is deeply tragic and also very comic at the same time. It's everything at once.
I could spend my whole life photographing circuses. They combine everything I'm interested in - they're ironic, poetic, and corny at the same time. There's also something about a circus that's magical, sentimental, and almost tragic, like a Fellini film.
Otis Redding, his voice, there was something spiritual and unworldly and at the same time, very deeply connected with the human connection and the way one feels about life in general, love, life, and everything, really.
I don't really find things funny unless they're deeply tragic at the same time. I think if you're funny just for the sake of being funny, it's just frivolous nonsense. To me, all the best comic plays have been written about really serious and rather bleak things.
With 'Luke Cage,' we all, as a collective wanted to tell the truest story that we could but, at the same time, also be very true to the comic book genre.
What looks tragic might be comic on second consideration, and what is comic might bring tears in time.
Whereas the comic confronts simply logical contradictions, the tragic confronts a moral predicament. Not minor matters of true andfalse but crucial questions of right and wrong, good and evil face the tragic character in a tragic situation.
Everything in nature is lyrical in its ideal essence, tragic in its fate, and comic in its existence.
Life is tragic but it's equally comic.
the true art of the gods is the comic. The comic is a condescension of the divine to the world of man; it is the sublime vision, which cannot be studied, but must ever be celestially granted. In the comic the gods see their own being reflected as in a mirror, and while the tragic poet is bound by strict laws, they will allow the comic artist a freedom as unlimited as their own.
I didn't believe in systems. Everything human was imperfect and ultimately absurd. What did I believe in then? In humor. In laughing at systems, at people, at one's self. In laughing even at one's need to laugh all the time. In seeing life as contradictory, many-sided, various, funny, tragic, and with moments of outrageous beauty. In seeing life as a fruitcake, including delicious plums and bad peanuts, but meant to be devoured hungrily all the same because you couldn't feast on the plums without also sometimes being poisoned by the peanuts.
We cannot segregate the human heart from the environment outside us and say that once one of these is reformed everything will be improved. Man is organic with the world. His inner life moulds the environment and is itself also deeply affected by it. The one acts upon the other and every abiding change in the life of man is the result of these mutual reactions.
I can have everything I love at the same time. I can have my family, I can have my friends, and I can have my quiet life, which I also like. I can have my football, and I can have everything together, and I don't need to give up one to be better than what I am.
I think that the tendency for most people is to fall back on a comic interpretation of things because things are so sad, so terrible. If you didn't laugh you'd kill yourself. But the truth of the matter is that existence in general is very very tragic, very very sad, very brutal and very unhappy.
My discussion is one that has gone all the way from Fistful of Dollars through Once Upon a Time in America. But if you look closely at all these films, you find in them the same meanings, the same humor, the same point of view, and, also, the same pains.
The question does arise if how and why to write poetry in this time. It feels both completely essential and also quite difficult. But that's how writing poetry has felt to me my whole life. Everything seems to have just gotten immensely more mortal and tragic and scary, which makes it hard to concentrate, but also, if harnessed, can provide immense energy for making poems.
Junior told me once that he was very impressed by Jimi Hendrix, by the way he was very wild, and yet he was very controlled. He knew where everything was going in a solo, and he (Junior), I think tries for the same effect, and I think he hits it virtually every time.
This site uses cookies to ensure you get the best experience. More info...
Got it!