A Quote by Paul Auster

We hear things, but we can't always see them, or, even if we do see them, we're not sure that we're seeing correctly. Hence: Invisible. — © Paul Auster
We hear things, but we can't always see them, or, even if we do see them, we're not sure that we're seeing correctly. Hence: Invisible.
The more often we see the things around us - even the beautiful and wonderful things - the more they become invisible to us. That is why we often take for granted the beauty of this world: the flowers, the trees, the birds, the clouds - even those we love. Because we see things so often, we see them less and less.
My uncles are always busy away acting, so I barely even see them much at all, but I always know that they are so supportive. Anytime I do see them, they always check up on it and make sure everything's okay and let me know that they're there for me.
Drawing is what you see of the world, truly see...And sometimes what you see is so deep in your head you're not even sure of what you're seeing. But when it's down there on paper, and you look at it, really look, you'll see the way things are...that's the world, isn't it? You have to keep looking to find the truth.
I quit seeing some people who were saying bad things about women; I don't even want to meet them or see them.
I am sure that no traveler seeing things through author spectacles can see them as they are.
How abundantly do spiritual beings display the powers that belong to them! We look for them, but do not see them; we listen to, but do not hear them; yet they enter into all things, and there is nothing without them.
Today no matter where I'm going, no matter what I'm doing, no matter who I'm doing it with, it is my dominant intent to look for and find things that feel good when I see them, when I hear them, when I smell them, when I taste them, when I touch them. It is my dominant intent to solicit from experience and exaggerate and talk about and revel in the best of what I see around me here and now.
I'll see a photograph of a character and try to copy them on to my face. I think I'm really observant, and thinking how a person is put together, seeing them on the street and noticing subtle things about them that make them who they are.
You can look at things all your life and not see them really. This ‘seeing’ is, in a way, a ‘not seeing,’ if you follow me. It is more of a search for something, in which, being blindfolded, you develop the tactile, the olfactory, the auditory senses —and thus see for the first time.
I think there's a danger of becoming too familiar with things, isn't there? That you kind of, when you're used to seeing the same things every day, you see those things come what may, and you don't see maybe the interesting things just slightly out of view behind them.
Can't even see without my vintage Versace frames. I don't go nowhere without them on. I can't even live without them. Every time I throw them on, I see all the haters, and I see where the money at.
I didn't want to audition the kids so much; I just wanted to talk to them because I like seeing how they are because their mothers usually mess them up with practice. So, I'd rather talk to them and see how they respond. I just throw things at them and see how they can hit the ball back, and Saniyya Sidney was good.
People can see a picture of my body from the neck down and know who it is because of my beauty marks or whatever you call them, moles. I've always had them, and I've always loved them. Obviously you have to be careful with that; I get them checked regularly and make sure that they're healthy.
We always talk about experience and maturing, the best thing that can happen to a footballer is the game slows down for them. All of a sudden, they can see things, they can see passes, they can see space, the whole game opens up for them.
INVISIBLE BOY And here we see the invisible boy In his lovely invisible house, Feeding a piece of invisible cheese To a little invisible mouse. Oh, what a beautiful picture to see! Will you draw an invisible picture for me?
If you are doing a piece about somebody, even if you admire them tremendously and express that in the piece, express that admiration, if they're not used to being written about, if they're civilians, [...] they're not used to seeing themselves through other people's eyes. So you will always see them from a slightly different angle than they see themselves, and they feel a little betrayed by that.
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