A Quote by Paul Auster
I don't know why I write. If I knew the answer, I probably wouldn't have to. But it is a compulsion. You don't choose it, it chooses you. And I wouldn't recommend it to anybody.
Related Quotes
I didn't choose to be white, I didn't choose to be male, I didn't choose to be heterosexual, I didn't choose to be right-handed. Those are the givens of life. And I don't know why the church can't deal with that, why they can't understand that. Well, I do know why: because people are always afraid of anybody who's different.
Why do I write? I guess that's been asked of every writer. I don't know. It isn't any massive compulsion.
I live my life like anybody else, and people choose to write about mine. And what they write I can't control - when they write lies at least - because the laws can't really protect you unless you can prove malicious intent. So I just choose not to read it.
I've never written for anybody else. For me, it was a challenge. I write for me. I don't write for anybody else. And what was good about it was that I was writing for somebody I knew. I knew what my mother thinks and how she feels. So it was finding that creative spirit to write about my mother.
I have been asked so many times why I live a green life, why water conservation, why getting wells in places, why work with water organizations, why conserve water at home with double-flush toilets, why I tell my daughters, "Turn off the tap" so much. Sometimes I want to say, "I wish I knew the answer." My answer really is: I don't understand why everyone doesn't feel this way.
I don't know why I write. The honest answer is that I don't have an answer. I wouldn't die if I couldn't write fiction. Actually keel over and die - it's unlikely. But quite quickly writing has come to feel like the only thing I really know how to do. And I go a bit stir crazy if I don't write more or less every day. But that makes writing sound like a mood-regulator, a way to regulate anxiety or depression, and it doesn't really come down to that.
When I decided to write about my brother and friends, I was attempting to answer the question why. Why did they all die like that? Why so many of them? Why so close together? Why were they all so young? Why, especially, in the kinds of places where we are from? Why would they all die back to back to back to back? I feel like I was writing my way towards an answer in the memoir.
Why am I always at war with myself? Why have I told, as if upon compulsion, what I knew all along I ought to have withheld? Why am I making a friend of this woman beside me, in spite of the whispers against her that I hear in my heart?
We all choose things, and we also all choose against things. I want to be the kind of person who chooses for more than chooses against.
Mike Leigh encourages you to choose a person that you know to base your character on. You write a whole list of people that you know and you go through that list in great depth with him. And then he chooses one of those people from your list.
I'd recommend the high road to anybody. You wonder about it and you don't really appreciate it until you do it and you find that it worked for everyone. But I recommend it.
I write to please myself—of course, that is a given. But beyond this reach for pleasure, I know that I write for my countrymen, that they may be lifted from apathy and ignorance. I write because of a compulsion to make something out of the nothing that is my own life.
Why can't we learn to live with how we are? And whatever anybody chooses is okay by the rest of us?
When I can find a story that explores something that I don't know what I think, I've got a play. If I knew the answer, I would write a speech or an essay.
Among the many things that profoundly impress me about the Dalai Lama, quite high up on the list is his ability to say "I don't know". I've often wished that other people in prominent positions wouldn't feel the compulsion to have an answer for everything and would feel equally free to say "I don't know." It's a sign of wisdom to know that you don't know and a sign of stupidity to think that you know everything. I admire it enormously in him, and wonder why so few people in leading positions reach that stage.
Authors do not choose a story to write, the story chooses us.
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