A Quote by Paul Auster
Eighteen is a terrible age, and while I walked around with the conviction that I was somehow more grown-up than my classmates, the truth was that I had merely found a different way of being young.
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An age where you feel like you could love anyone, where you put everything on the line for the smallest of things. Eighteen. Adults say that it's an age where we laugh if a leaf tumbles by. But back then, we were more serious than any adult, more intense, and had our strength tested. 1997. That was how our eighteen was beginning.
I am sure that, had I grown up with both parents, had I grown up in a safe environment, had I grown up with a feeling of safety rather than danger, I would not be the way I am.
As a young child, being different is isolating, and as a teenager it's humiliating. I wish I had been able to stand out with more confidence when I was a child, and especially when I was a teenager. I was different, but it wasn't always a conscious choice, and it often made me miserable. But I'm all grown up now, and so are you. Today, difference is your strength, your power, and your trademark. It's your signature. It can still be difficult to be different--sometimes even harder than it used to be. Even so, it's time to embrace being yourself. It's time to be authentic.
I think I read films having grown up around the pre-production and post-production aspect of the filmmaking medium, a lot more than most young people who are in acting would have experienced. I do think about scripts in a different way. I can't just read a script as an actor. I don't know how to do that.
I've grown up with the same people my whole life. I've had the same classmates from elementary all the way through graduating.
Critics who treat adult as a term of approval, instead of as a merely descriptive term, cannot be adult themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence.
The only thing more important than being good is being real. Authenticity is kinder than resignation without conviction. Truth leads to good faster than good leads to truth. Ultimately truth is good, but you have to live it from the inside out.
It was okay but then I found myself in that position of being merely a screenwriter. And you are merely the screenwriter, and there's no way around it. You don't have the same clout as the director.
I've always been quite mature because of the way my parents brought me up. They were very good at talking to me like a person rather than a baby, and I was around so many actors and directors from such a young age because my dad is an actor. I was more comfortable with adults rather than actually being an adult child.
Young women now, this generation - girls my age too, but even younger than I am - they're the ones that are going to change the world. They've grown up in such a new way of thinking about women and female empowerment. I grew up with a little bit of that, but teenagers now, those are the girls that are going to make the world a different place for everyone else.
Little girls do not wake up in the morning and say "I dream of being a prostitute." It is a terrible, terrible life. Body invasion is more traumatic than even getting beaten up. In certain circumstances, obviously, it may be a way to survive.
I had grown up working in a video store, and I'd grown up more with film than I had with theater, so I kind of felt a natural call.
What I've found is that there is an enormous shift taking place in our society. Suddenly there are all young women who are better educated and earning more money than men their age. When young couples today decide to marry, they have very different expectations of one another than their parents did. And there's even been change at the very top of the career ladder. People tend to underestimate that.
One of the oddest things about being grown-up was looking back at something you thought you knew and finding out the truth of it was completely different from what you had always believed. (Bone Crossed)
Now, nakedness is a delightful condition. And it keeps you very pleasantly cool - especially, I suppose, if you happen to be a man. But as I walked on eastward that afternoon through my private, segregated, Tonto world (exercising due care at first for previously protected sectors of my anatomy) I found I had gained more than coolness. I felt a quite unexpected freedom from restraint. And after a while I found that I had moved on to a new kind of simplicity. A simplicity that had a fitting, Adam-like, in-the-beginning earliness about it.
And one of the things that's interesting about how they're doing the show is that the audience almost knows more than the characters do in some of these scenes, and the extent of that is unique. So it's grown into a different show in a way. It's sort of grown into a different experience watching it.
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