A Quote by Paul Auster
Often it's true that films just go right through us. You see the film, you might be entertained, and if it's not a great film, it loses its power very quickly. I think even simply acceptable books stay with us a lot longer.
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You see the film, you might be entertained, and if it's not a great film, it loses its power very quickly. I think even simply acceptable books stay with us a lot longer.
Even today, I'm not sure why I make films or what makes me want films. I think it's other people's films. Whenever I see a really great film, I think, 'I want to make a film like that.' And then I never do.
I will say that comic books are not the easiest things to translate to film, number one. Even the most well meaning of filmmakers find what's acceptable on the printed page is very difficult to bring to film.
In Canada, we have a very good structure of supporting film through a number of government-sponsored initiatives, such as the tax credit and other grants. The northern part of Ontario has started its own funding. They were really happy to sponsor us, so they've been very supportive and put up half the budget for this film. They'd like us to come back and do more films.
Very often the people who are shooting your film do not look like you if your film is brown-centric in some way. What is very interesting is to be going through these scenarios and turning around and looking at so many faces that are not yours. Even though those faces are looking at you in love, it puts you in a space when you are on a plantation in that condition. I think that it allows you to see further into possibly what that place really was for someone else, except thank God we're with people who love and respect us.
With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
Sometimes you read a script, and you just think, 'Wow, I would love to go and tell that story, and I don't even care what happens to the film, I would just love that experience.' And often, that mentality makes a great film.
I'm not trying to be self-serving, but you know, you get to Hollywood, and if you want to make something big and loud and dumb, it's pretty easy. It's very hard to go down there and make a film like 'Sideways,' which I thought was a great film. They don't want to make films like that anymore, even though that film was very successful.
Essentially, we wanted to be in one of Azazel's films, so the notion was we'd simply write an Azazel Jacobs movie ourselves, and then give it to him and be like, 'Right, here's you next film, now direct us. Go.'
There's something that happens where you go, if you're lucky, goodness me, from film to another film to another film. And you can sort of feel that if you step off that treadmill, it might all go horribly wrong and you might never be employed again, you know. And I suddenly thought that that's not necessarily the case. And I also thought we make drama as actors about people in the world and that if you are on that treadmill, you start making films about other films.
With the right movie, 3D can enhance the experience. Absolutely, it can make a good film a great film. It can make a great film a really amazing film to see .
NYU Film School was the way to learn about film, to be exposed to film, to go to repertory houses, to be exposed to New York and see films. I would go to the library and see one, two or three movies a day.
When I see films made from books, I make a huge effort not to remember the book. It's important to see the film as a film.
I'm very troubled when editors oblige their film critics to read the novel before they see the film. Reading the book right before you see the film will almost certainly ruin the film for you.
The coolest thing about the series is that we stay very true to the books; it would be silly for us not to, because the books are exactly what the fans want to see. There's an action side to it, which I love, and there are werewolves now. There aren't just vampires. There's a wolf pack.
The coolest thing about the series is that we stay very true to the books; it would be silly for us not to, because the books are exactly what the fans want to see. There’s an action side to it, which I love, and there are werewolves now. There aren’t just vampires. There’s a wolf pack.
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