A Quote by Paul Auster

I think there might be some pressure released while I'm doing autobiographical work, but afterwards everything remains the same. — © Paul Auster
I think there might be some pressure released while I'm doing autobiographical work, but afterwards everything remains the same.
I think it's very hard for coaches to work with me. They'll no doubt have a good CV afterwards, but at the same time they're under a lot of pressure.
I like pressure. Pressure doesn't make me crack. It's enabling. I eat pressure, and there might be times when I get a bad feeling in my gut that this might be too much, but you feel pressure when you're not doing something, you know?
Even if the experience in my stories is not autobiographical and the actual plot is not autobiographical, the emotion is always somewhat autobiographical. I think there's some of me in every one of the stories.
People ask, 'Are your things autobiographical?,' and I think, no, they're not autobiographical directly, but of course my life has informed my work.
I think that documentaries are bound by journalistic ethics, and I think they have the pressure of trying to entertain someone for 90 minutes. It's hard, but it's the same question no matter what you're doing. Every film I've done, I've approached it the same way with the same level of respect.
The reason I did the name change is simple. I wrote a bunch of autobiographical material and I was really enjoying myself doing it, and in two of the songs I quote two different people (referring to me as Mr. Stace). And it just hit me at some point that it was ludicrous for me to think of myself as Wesley Stace, publish novels as Wesley Stace, be Wesley Stace and not have it released as Wesley Stace.
You could ask yourself, 'Hey, when you were 20, are you the same person?' You're not. You may have the same values, you might look a little older, you might have some things that are the same, but your heart, everything about you, starts growing, changing - good or bad. It just depends on how you approach life.
It's one of those things that it's everything you think it is, but then again you have to - you need time to really process the entire situation. You stand out on that platform afterwards and you're looking at the ballpark and the fans and the W flags everywhere, and truthfully I do think about everybody, I think about the fans and their parents and their grandparents and great-grandparents and everything that's been going on here for a while. So you think that - I think about my coaching staff.
I have very rarely written autobiographical stuff. "Greasy Lake" and some other works have some autobiographical elements, as does "Birnam Wood," the one I chose to end [this collection] with. I lived in that house and some of my feelings are expressed in it, but it's not autobiography. It was not me and that didn't happen exactly that way.
The youth doesn't know what they want while the older generation remains stuck in the past. But the basic concept of entertainment remains the same - demand and supply - and that won't change.
I give a lot of shoes away, but there are some shoes that sometimes I'm like, I don't think they ever even released these. Sometimes, I don't know what they've released. But sometimes, friends of mine that work for Nike will visit and say, 'They never made these, so you need to hold on to these.'
There is some pressure when you are a woman doing what I do that you must support all other women unconditionally, no matter what they're projecting, or writing, or producing, or putting forth as their art. I think that's equally arbitrary and random and unfair, and kind of sexist. The secretly sexist way. I have really high standards for what I think is funny. I have that for everything, and I think it would be disingenuous of me to blanket-ly love everything a woman has produced simply to make a statement that we're all in this together.
Everything you've said, everything you want to believe is already true. You may not find some of it for a while, and some of it might take longer than that, but that doesn't stop it from being true this minute!
Everything is autobiographical, and nothing is autobiographical. That's fiction.
I think it's just a lot more pressure to make the scenes work when you're doing a film, because when you're doing a series you feel like, I have so many scenes, so many episodes, so if I don't get it exactly right this time, I have another scene later. You feel less pressure.
You have to be able to do a bunch of things at once, and not think about things you're not doing while you're doing other things. You have to be disciplined about not trying to do everything, all at the same time. It's hard and fun.
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