A Quote by Paul Auster

I've always written by hand. Mostly with a fountain pen, but sometimes with a pencil - especially for corrections. — © Paul Auster
I've always written by hand. Mostly with a fountain pen, but sometimes with a pencil - especially for corrections.
First, consider the pen you write with. It should be a fast-writing pen because your thoughts are always much faster than your hand. You don't want to slow up your hand even more with a slow pen. A ballpoint, a pencil, a felt tip, for sure, are slow. Go to a stationery store and see what feels good to you. Try out different kinds. Don't get too fancy and expensive. I mostly use a cheap Sheaffer fountain pen, about $1.95.... You want to be able to feel the connection and texture of the pen on paper.
I write everything with fountain pens. I don't know why. I've done it since I was bar mitzvahed. I was given a fountain pen, a Parker fountain pen, and I loved it, and I've never liked writing anything with pencils or ball-points.
I got to take classes in writing with a fountain pen, and actually, something you make is your own textbook. So, while you're learning about something, you have to write essays on it, and then you handwrite in cursive, in fountain pen, your essays out on beautiful paper and you bind it together into a book that you hand in at the end of the course.
I don't have a favorite cooking tool. In the kitchen, I always have my pencil and notebook in my hand. I cook more theoretically than I do practically. My job is creative, and in the kitchen, the biggest part of my creativity is theoretical. The pencil has a symbolic meaning for me. The type of person who carries a pencil around is the type of person who's open to change. Someone who walks around with a pen isn't; he's the opposite.
I used to write exclusively with one particular Montblanc fountain pen, although lately I have had to use a roller-tip fountain pen, because I find it harder and harder to control the fine muscles of my right hand during prolonged periods of work. I buy boxes of Deluxe Uni-ball pens, use them until they start to drag, and then change.
My two fingers on a typewriter have never connected with my brain. My hand on a pen does. A fountain pen, of course. Ball-point pens are only good for filling out forms on a plane.
I always lose every single pencil I ever had. So I can draw with everything. With pencil, with pen.
There was a message written in pencil on the tiles by the roller towel. This was it: What is the purpose of life? Trout plundered his pockets for a pen or pencil. He had an answer to the question. But he had nothing to write with, not even a burnt match. So he left the question unanswered, but here is what he would have written, if he had found anything to write with: To be the eyes and ears and conscience of the Creator of the Universe, you fool.
I don't even own a computer. I write by hand then I type it up on an old manual typewriter. But I cross out a lot - I'm not writing in stone tablets, it's just ink on paper. I don't feel comfortable without a pen or a pencil in my hand. I can't think with my fingers on the keyboard. Words are generated for me by gripping the pen, and pressing the point on the paper.
I work by hand, with a fountain pen, in bound notebooks I buy in India.
I remember reading about a court case where a man tried to stab a judge with a pencil. There are Google pages full of similar instances around the world. It's obvious that the pencil lends itself to precisely that kind of use. It's not as lacking in dominance as you might think. I have an article on the fallacy of the designer intent because a lot of designers think they can design uses into technology. You can't do that. I use the pen, I make the mark, but the pen is also using me. The pen could be said to be allowing these kinds of marks. I can't do just anything with the pen.
She drinks pints of coffee and writes little observations and ideas for stories with her best fountain pen on the linen-white pages of expensive notebooks. Sometimes, when it's going badly, she wonders if what she believes to be a love of the written word is really just a fetish for stationery.
We never read without profit if with the pen or pencil in our hand we mark such ideas as strike us by their novelty, or correct those we already possess.
If you want to draw comics, you really have to love to draw, as you will be spending many hours sitting down with a pencil or pen in your hand.
I write in pen because it works. A fountain pen is no good for writing in the way I do because I'd have to decide, each time I stopped, how long I was likely to stop for in order to know whether or not to put the cap on. But I never know. So instead, I use a ballpoint - a Montblanc, to be precise - the most comfortably balanced pen I've ever found.
I am only a little pencil in the hand of our Lord. He may cut or sharpen the pencil. He may write or draw whatever and whenever he wants. If the writing or drawing is good, we do not honor the pencil or the material that is used, but rather the one who used it.
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