A Quote by Paul Auster

All through my writing life, I've had this impulse to write autobiographical works. — © Paul Auster
All through my writing life, I've had this impulse to write autobiographical works.
All through my writing life I've had this impulse to write autobiographical works.
More than anything, that's been the thread through my life - the desire to write, the impulse to write. I mean, it's taken me other places, but it was the impulse to write that led me to singing.
More than anything that's been the thread through my life - the desire to write, the impulse to write. I mean, it's taken me other places, but it was the impulse to write that led me to singing.
When I started writing at 18 or 19, I had a fear of anything autobiographical, but I've come to realise that my writing is very autobiographical at the emotional level.
I can start with the idea of taking until you can take off, through the idea that all of my writing foregrounds the idea of how I'm taking from my own life. I'm stealing from my own life in a way, and from the people around me, but in service of getting somewhere else. I'm starting with an autobiographical impulse, to get a better vantage on the circumstances of the life that I happen to be in at the moment and how that life connects to others.
I think I had actually served my apprenticeship as a writer of fiction by writing all those songs. I had already been through phases of autobiographical or experimental stuff.
All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium.
The mental state I'm in is completely different, but the act of trying to write is the same. I mean, in all instances you try to write good sentences. But in a novel you're free to do whatever you want, and in the autobiographical works you can't make things up.
I didn't think anything I wrote was going to get published. I'm a dyslexic kid who had tutors through college. But I had a very strong impulse to write.
The impulse to write the poem, that impulse is a great dramatic impulse. But hell, anybody could write a play. I do know this: all writers are not dramatists. You may be a great writer, but that doesn't necessarily mean you're a dramatist. Very few people have done both.
So this is why I write. Because most times, your life isn’t funny the first time through. Most times, you can hardly stand it. That’s why I write, because life never works except in retrospect. And writing makes you look back. Because since you can’t control life, at least you can control your version.
When I wrote my first book, 'The Tennis Party', my overriding concern was that I didn't write the autobiographical first novel. I was so, so determined not to write about a 24-year-old journalist. It was going to have male characters, and middle-aged people, so I could say, 'Look, I'm not just writing about my life, I'm a real author.'
The most deeply personal of my works are the non-fiction works, the autobiographical works, because there, I'm talking about myself very directly.
In fact, writing, especially writing autobiographical works, and this is actually the fourth time I've done it, each time I've done it I've felt deeply immersed in the material as I'm doing it, and then it's over and everything is the same.
I can't remove the autobiographical slant from the things I write. You always bring yourself into what you're writing.
'Dreamsongs' allows me to show the scope of my writing - with personal commentary that puts the works in context and includes some autobiographical details intended to reveal how each piece came to be, what it represents, and how it has formed, or been informed by, my philosophy of writing.
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