A Quote by Paul Auster
In my studio, it is unkempt and unattractive. Once I'm in my work, I don't notice where I am.
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We notice things that don't work. We don't notice things that do. We notice computers, we don't notice pennies. We notice e-book readers, we don't notice books.
Once you work with a studio on a film, the studio is sort of like this enormous clam that just opens, takes everything and then closes, and no one enters again. They own it all.
I suppose where I am sort of reflects the work I have chosen to do. Are there occasional frustrations because I can't work with a certain director because it's a big studio movie, and I don't have enough of a studio profile? The answer is yes. But generall... generally, I have the career I have chosen myself.
I do my schooling through an independent study program where I am able to do all my work at home, and then every two weeks, I meet with my teacher and turn in my work. When I am on set, I work with a studio teacher, and we do a mandatory three hours of school a day.
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
If the perfect Son of God is unattractive to you, then obviously you are an unattractive person.
All I ever hoped for was freedom of choice and to not have to just do work because I needed to pay the bills. If you can, weave your way into a studio in a situation where it's supportive of the other work you wanna do. Also, there is caliber and weight in studio films, and I think the ideal is to get that balance right: Do a studio film, go away and do something that is smaller.
I have a studio at my house, and there is a sister studio for Disney which is about 45 minutes away, and we haven't dropped a beat. In the art of animation and voiceover work, you can pretty much work from anywhere.
A noiseless course, not meddling with the affairs of others, unattractive of notice, is a mark that society is going on in happiness. If we can prevent the government from wasting the labors of the people under the pretense of taking care of them, they must become happy.
The range of what we think and do is limited by what we fail to notice. And because we fail to notice that we fail to notice, there is little we can do to change; until we notice how failing to notice shapes our thoughts and deeds.
When thoughts arise, as soon as you sense them heading on the road of desire, bring them right back onto the road of reason. Once they arise, notice them, once you notice them, you can change them. This is the key to turning calamity into fortune, rising from death and returning to life.
There is a definite moment when a work congeals and crystallizes. Once I am finished with a painting, I am happy to send it off into the world so I can get to work on the next one.
I am a sick man...I am a spiteful man. I am an unattractive man. I think my liver is diseased. Then again, I don't know a thing about my illness; I'm not even sure what hurts.
I would never normally approach a woman in this way, but I couldn't help but notice that you have the eyes of a lady I was once desperately in love with. " "What a shame to love only once," she said, showing her white teeth in a wicked smile. "I've heard some men can manage twice or even more." I ignored her gibe. "I am only a fool once. Never will I love again.
My work is an act of communication, and it's important to me the way what I assert lands, and where it lands within someone who sees it. On the other hand, I also recognize fully and live by the principle that once the work leaves my studio, I cannot control the effects it has.
The range of what we think and do is limited by what we fail to notice. And because we fail to notice there is little we can do to change until we notice how failing to notice shapes our thoughts and deeds.
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