A Quote by Paul Beatty

There's this line between propriety and how we really speak and how we really think. And I'm just trying to have fun with that stuff. — © Paul Beatty
There's this line between propriety and how we really speak and how we really think. And I'm just trying to have fun with that stuff.
Before he died, Harry said that his wife knew everything about every trick that he did, and that she knew how they all worked. It was interesting to play with that idea, and to find the places where she really was afraid for his safety and where she was playing along. I had to find that line between what's a performance and what's real, and that's so much of what magic is, as well. It was really, really fun. They were really partners, in every sense of the word.
The media is such a huge piece of how we understand feminism, particularly celebrity feminism, and I really do think that so much of how that stuff gets filtered through can be either finessed or really stymied by how media talks about it.
Sometimes it's hard for me to dress for normal situations. A lot of the time I'm either performing or travelling - so what I wear is either really fun or just really comfortable. For anything in between I think, 'Oh God, I don't know how to dress myself. But when I get on stage I'm just like, 'I can wear anything I want!'
I think being partnered with C. Wonder as their creative director and also getting to kind of educate her on how to mix prints and how to incorporate color into her wardrobe and how to go from an easy silhouette to using some of our accessories to cinch her waist or make it more cocktail - I think will be really, really fun.
I think that American people really know how to pursue fun, they really know how to have a good time. Japanese are somewhat more reserved than Americans, so I'm jealous.
I always say that I continue to set the standard really high for myself, but you don't get into a catch count or any of that stuff. I think it's just in how you play, how you approach the game.
It's really liberating and fun to be writing stuff for myself, and really have the freedom to say what I want to say and not really have to think about what somebody else is going to say or have to edit myself to speak from someone else's vision.
When I think about the stuff I've turned down or the stuff I wasn't interested in, I don't have any regrets. Yes, there were some movies that went on to be really popular. But now, how do they really fit into things?
When I say things, when I speak on television, I'm not making stuff up. I'm not, like, sitting in the back with a notepad thinking, 'Maybe this will make them think I'm crazy'. That's how I really am, you know? My views on this and that, which I really don't want to delve into, but my views are that of the real me. There is no character.
I think I'm a better actor now. I mean, I really think I know a lot about acting now. But I didn't know a lot about acting then, in 80's, and I never knew how to be myself. I never knew how to relax and just play it from me. I was always trying to deliver a line.
I think the fact that we don't really... that the world really doesn't acknowledge how bad and how detrimental colonialism was; that people don't really try to explore it, you know, in popular media and news articles; that... that it's just kind of glossed over as this thing.
It's kinda ridiculous what you can't say nowadays. You really can't say anything you believe! I think it's fricking ridiculous how sensitive everyone is to everything, how much things are frowned upon. How much stuff will cost you nowadays. I think it's fricking ridiculous that we can't - there's certain topics that you can't really say how you feel about.
I wasn't making fun of my father in-law's religion. And even if I was so what, it's a comedy. Religion should be made fun of, it's quite ridiculous isn't it. Think how people spend their lives, they have no idea. They go around as if this is a fact. It's so insane you know. If I really believed that stuff I'd keep it to myself. Lest somebody think I was out of my mind.
I always thought I'd eventually learn how to draw really well, and despite constant evidence to the contrary, I just kept on trying. If you're too good at anything, you don't have to think about the process, whereas I feel like I spend my life with my head under the bonnet, trying to understand how everything works.
I think I'm just trying to show a more mature side of the band and I think we've really come into the sound of our band. With every album we've grown, but I think this is just a really good picture of where we are right now and how we feel our music represents us. Under the thumb of other record companies we haven't had as much creative control and I think with this record we really did our own thing.
What does my taste have to do with the personality of the person I'm working for? It's taking them through a journey of exposing them to stuff, and being able to form a dialogue between the place where they live and themselves. Other than trying to match the curtains to the couch, I don't know how to do that. If somebody asked me to design a really beautiful room, I don't know how to do that.
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