A Quote by Paul Begala
My view was that the campaign had been a sacred thing, that it had been a real compact, because I was there and I saw the connection that Clinton made with people, and the connection that they made with him.
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Ewan was auditioning to get into acting college and asked me for advice as he wasn't connecting with the piece he was learning. I told him to think about a time he'd been beaten up in Glasgow and how he felt when the guy had punched him for no reason. He then made the connection between emotion and the words he was saying, which is what acting is.
He had lived and acted on the assumption that he was alone, and now he saw that he had not been. What he had done made others suffer. No matter how much he would long for them to forget him, they would not be able to. His family was a part of him, not only in blood, but in spirit.
He was about to go home, about to return to the place where he had had a family. It was in Godric’s Hollow that, but for Voldemort, he would have grown up and spent every school holiday. He could have invited friends to his house. . . . He might even have had brothers and sisters. . . . It would have been his mother who had made his seventeenth birthday cake. The life he had lost had hardly ever seemed so real to him as at this moment, when he knew he was about to see the place where it had been taken from him.
For me, the scale of the budget is part of the creative process. 'Swingers' is the movie it is because we made it for exactly the right budget. Had it been made for a higher number, it would not have been as imaginative as we had to make it, given the budget constraints we had.
My first gig ever was writing looplines for a movie that had already been made. You know, writing lines over somebody's back to explain something, to help make a connection, to add a joke, or to just add babble because the people are in frame and should be saying something.
Donald Trump is a different ball of wax. I've been trying to say for I don't know how many months now that the traditional political playbook in destroying and attacking a political opponent is not gonna work on Trump, because Trump's connection with his supporters or his audience is far deeper and far greater than most voters' connection with a candidate that's very popular. Reagan had the connection.
I honestly think if I had been a solo artist, it wouldn't have been as bad. Because I was being compared to three other girls, it made people have more of an opinion. If I had been on my own, there would be no one to compare to.
If Wild Bill could have made his successful dash into our lines earlier in the day, the attuck would have been made sooner, and greater results might have been expected. The Confederates had suspected him of being a spy for two or three days, and had watched him too closely to allow an opportunity to get away from them sooner.
The lights were off so that his heads could avoid looking at each other because neither of them was currently a particular engaging sight, nor had they been since he had made the error of looking into his soul. It had indeed been an error. It had been late one night-- of course. It had been a difficult day-- of course. There had been soulful music playing on the ship's sound system-- of course. And he had, of course, been slightly drunk. In other words, all the usual conditions that bring on a bout of soul searching had applied, but it had, nevertheless, clearly been an error.
I suddenly saw that all the time it was not I who had been seeking God, but God who had been seeking me. I had made myself the centre of my own existence and had my back turned to God.
"Connected" is the triumphal cry these days. Connection has made people arrogant, impatient, hasty, and presumptuous... I don't doubt that instant communication has been good for business, even for the publishing business, but it has done nothing for literature, and might even have harmed it. In many ways connection has been disastrous. We have confused information (of which there is too much) with ideas (of which there are too few). I found out much more about the world and myself by being unconnected.
I refuse to turn to theology to justify the life or redeem it. There is a question always of the connection to the eternal. I say to myself above all, keep alive your conviction that there are sacred elements in the life in the practice of the life that must be respected. But the conviction in the existence of the sacred does not necessarily imply that you need to believe in a creator, because we are the ones that made the sacred.
Connection is why we're here; it is what gives purpose and meaning to our lives. The power that connection holds in our lives was confirmed when the main concern about connection emerged as the fear of disconnection; the fear that something we have done or failed to do, something about who we are or where we come from, has made us unlovable and unworthy of connection.
When you feel a connection, a gut connection, a heart connection, it's a very special thing. What's familiar to everyone is watching people falling in love; it doesn't happen on screen that often. People fall in lust, then they're suddenly together.
But then Froi looked back to where his work lay unfinished and it made him sad because there had been something about the touch of earth in his hands that made him feel worthwhile.
There was an Israeli artist who was in grad school with me. I remember trying to get to know him on a more personal level. He had moved to the Fairfax area, not realizing that it's a super Jewish part of L.A. He told me, I don't understand why American Jews feel this connection with me. I was embarrassed because I was feeling that connection with him, too!
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