A Quote by Paul Bettany

I'm a guy who is married to an actress, who has three children, and lives in Tribeca. Where do you draw the line on what I am allowed to discuss? — © Paul Bettany
I'm a guy who is married to an actress, who has three children, and lives in Tribeca. Where do you draw the line on what I am allowed to discuss?
I am perfectly capable of writing things about myself that one doesn't discuss in polite company, but I was raised by people who said you don't discuss politics, you don't discuss religion, and you certainly don't discuss people's sex lives.
The old restriction meant that only the orthodox were allowed to discuss religion. Modern liberty means that nobody is allowed to discuss it. Good taste, the last and vilest of human superstitions, has succeeded in silencing us where all the rest have failed.
Before I married, I had three theories about raising children and no children. Now, I have three children and no theories.
I didn't major in anthropology in college, but I do feel I had an education in different cultures very early on. My parents divorced when I was eleven, and my father immediately married a woman with three children and was with her for five years. When they got divorced, he immediately married a woman with four children. In the meantime, my mother married a man who had seven children. So I was going from one family to another between the ages of eleven and eighteen.
I don't think you can set up a computer to do a strike zone on a guy who's 6-foot-5 and then a guy who's 5-8. Where does it draw the line? One guy stands tall, and another squats down, and it changes the lines. Nah. I still love the umpires; they do a great job. I don't have a problem with any of that.
I didn't want to be an actress; I never thought of being an actress because, as children, there were three of us - I was the middle child - and we spent our time in church from Sunday morning to Saturday night.
Serious relationships draw us away from the circle of friends that seemed so adequate, so fulfilling. Marriage cements these inward movements. Children draw partners closer, but they can also draw you further away from the friends and lives you once knew.
A civilized nation can have no enemies, and one cannot draw a line across a map, a line that doesn't even exist in nature and say that the ugly enemy lives on the one side, and good friends live on the other.
I think part of maturity as an actress comes from their experience in getting married and having children.
I am so romantic about Gypsies. They're not allowed to do anything until they get married. So they all get married really young, at sixteen.
Draw a line; draw a line that pleases you. And remember that it is not the artist's role to copy the outlines of things but to create a world of his own lines on paper." (pp.28-29)
I am blessed to have married the man that God sent me. He's loving, compassionate, strong and supportive of my children, family and career. I look forward to our lives together.
People know me through my characters. I don't think they have any idea about the individual that I am. They know I am a director's son, and I am married to an actress.
Women now have choices. They can be married, not married, have a job, not have a job, be married with children, unmarried with children. Men have the same choice we've always had: work, or prison.
I'm married. I have three children. I have a mortgage to pay. The plumbing breaks and the yard needs trimming. However, what my wife and children need most from me is my passion for them.
AMC [All My Children] launched my career and changed my life. I got married there and had my baby there and made so many close friends. I am so sad that it is going away. It is a part of television history. Pine Valley is a part of America. It breaks my heart. That role taught me how to really be an actress. It introduced me to a man who gave me my daughter. That is something that I am eternally thankful for and will always be.
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