A Quote by Paul Bettany
I feel like the world we live in seems to be full of an increasingly grey area, but the culture that we live in seems to be getting really entrenched in black and white positions, and I think it's urgent to talk about that because it's going to kill us all.
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In a world of increasing grey areas, we are becoming more and more entrenched in black and white positions.
We live in a consumer culture, and Black Friday is like the July 4th of that culture. It might be good not to live in this culture, but it terms of what we can do to make people safer at big sales, it seems more useful to try to avoid dangerous crowd conditions.
We live in a time-crunched world, and just about everything we do seems to be urgent.
One of the things about Herman Cain is, I think that he makes that white Republican base of the party feel okay, feel like they are not racist because they can like this guy. I think he giving that base a free pass. And I think they like him because they think he's a black man who knows his place. And I know that's harsh, but that's how it sure seems to me.
I believe I live in a black and white. I think things are like either black or white. I don't really believe that much in the gray. I think that there's gray for a lot of people, but I don't live in the gray. I realize whatever action I have or take, it's going to have a consequence -- either good or bad. So I live my life in a way where I don't have bad consequences. I just notice there's a lot people around me just live in the gray. I don't know, for me, I'm just really straightforward.
I still like to live in a whimsical world that seems more romantic and fantasy-related because real life seems so hard
Life is infinitely complex, and I feel like we live in a culture that really seems to want to simplify it into sound bites and bromides, and that does not work.
In some ways I consider myself more Chinese, because I live in San Francisco, which is becoming a predominantly Asian city. I avoid falling into the black-and-white dialectic in which most of America still seems trapped. I have always recognized that, as an American, I am in relationship with other parts of the world; that I have to measure myself against the Pacific, against Asia. Having to think of myself in relationship to that horizon has liberated me from the black-and-white checkerboard.
I know a lot about being white - because I have to, I live in the white world. A white person doesn't live in the Indian world. I have to be white every day.
Every artist seems to me to have the job of bearing witness to the world we live in. To some extent I think of all of us as artists, because we have voices and we are each of us unique.
So I was really excited when I came to America about meeting black people. But it was a huge culture shock, because I was rejected by the black community. They were like, 'You talk like a white girl.' People would call me an Oreo. All I wanted was acceptance.
You're not a Black man. You're a human being in God's eyes. So when you sit down to talk to someone and you talk to them in really intelligent terms, you ask difficult questions, there's a militancy that's assigned to you without you asking for it, because you are simply judged by what you look like. If you're a white person asking the same questions, you'd be one of these CNN guys and say how brilliant he is. That doesn't work for you, because this is the world we live in.
It seems like I'm not [happy]. Because if you look at my tweets and what I think and say, it seems like I'm worried about what's going to happen.
I don't feel like a live set even seems super real for an electronic act like me. It's not really that entertaining. I've seen a lot of my favourite acts take it to a new level with a live band and stuff, which is amazing, but for me, a live set would be boring to watch.
I know a lot of actors talk about the importance of wardrobe, and it always seems like it's kind of a cop-out, maybe, because it seems like a minor detail to some people. But I think it's hugely important.
If money doesn't come with misery, then it's not at all interesting and it's not at all fair. It seems if you have all this money, and no misery, you're really in a world of unalloyed happiness, and that seems to violate some deep principle of universal justice. We tend to live in a culture now where people have unbelievable, inconceivable amounts of money without any kind of remorse.
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