A Quote by Paul Bley

The Beatles came and everybody forgot about everything else. That was a friendly, together, hip interpersonal music, introducing electric sustain, and it captured the imagination of everybody. So improvising, even though it was in a very rich period in terms of impact on the public, the '6Os were very hard times on players financially.
I think the other thing that's important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time. In fact I often say that the biggest difference between classical music and everything else is that classical musicians sometimes shut up because they're told to, because the score tells them to. Whereas any music that's sort of based on folk or jazz, everybody plays all the time.
Everything about everybody was very soon known by everybody else.
Irony ruined everything Even the best exploitation movies were never meant to be `so bad they were good`. They were not made for the intelligentsia. They were made to be violent for real, or to be sexy for real. But now everybody has irony. Even horror films now are ironic. Everybody's in on the joke now. Everybody's hip. Nobody takes anything at face value anymore.
Don't you think that the Beatles gave every sodden thing they've got to be the Beatles? That took a whole section of our youth - that whole period - when everybody else was just goofin' off we were workin' 24 hours a day!
The crazy thing about 'Hook' was it was one of the movies in town that everybody knew about. It was the biggest film shooting in Hollywood at the time and the idea of Robin Williams playing Peter Pan really captured everybody's imagination.
Why isn't it hip-hop when I do it? Everybody else can have beef within the music, talk about differences and it's ok. It's music, it's hip-hop, it's ground breaking. When I do it, it's war.
I do a lot of improvising when I'm writing, and I work very hard on the scripts... they are written very much in an actor-friendly way.
The Beatles were something everyone had in common; this was thirty years ago, there was Dr. Who and everybody knew who the Daleks were and there was The Beatles and everybody knew who George Harrison was.
I allow people to create, but I'm also marshalling everybody, which is difficult for my creativity, as I'm like a referee. Everybody else is kicking a ball. It is very messy. From the mess, though, you refine what is there.
We decided that sports, lifestyle and fashion were three elements that could be mixed together to a very unique formula. That's what we did: make Puma a very sports-fashion brand when, at the times, everybody talked about sports and sports performance and functionality. We said, 'Well, it's about more.'
[On "John F. Kennedy" set] everybody was very interested in the accent. Even my collaborators were very curious to know if I was even going to do it. And I was, like, "You just can't not do it." I think everybody was worried that it was going to sound like the guy from... is it The Simpsons?
Everybody hangs out with everybody, which is very strange for a cast this large and this young. We're all cool and down to earth and not caught up in this maniacal business at all... . Everybody really, really likes everybody else.
Everybody hangs out with everybody, which is very strange for a cast this large and this young. We're all cool and down to earth and not caught up in this maniacal business at all.... Everybody really, really likes everybody else.
We were very effective, and I was very effective, in shaping public opinion around my campaigns. But there were big stretches, while governing, where even though we were doing the right thing, we weren't able to mobilize public opinion firmly enough behind us to weaken the resolve of the Republicans to stop opposing us or to cooperate with us. And there were times during my presidency where I lost the PR battle.
So to compare the Beatles, obviously the Beatles are the Beatles, but in hip-hop terms, Tribe is the Beatles. Grandmaster Flash and the Furious Five are the Beatles. Big Daddy Kane is Jimi Hendrix. It means that much to people that grew up with it.
Not everybody here is rich. Not everybody here is independently wealthy. Not everybody here is free from any kind of economic concern. We run the gamut here, too. It's the opportunity to escape that that exists here, for very specific reasons. But it's not because the US is where it is. It's not because our DNA is different than anybody else's. It's because of the way we have structured our affairs, our government.
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