A Quote by Paul Bley

Adam Berenson knows how to compose, organize an ensemble, do musical research, play solo and trio piano, write for musical journals, and enlist others to his cause. A very fine musician.
All musicians practice ear training constantly, whether or not they are cognizant of it. If, when listening to a piece of music, a musician is envisioning how to play it or is trying to play along, that musician is using his or her 'ear' - the understanding and recognition of musical elements - for guidance.
I can make music, but I can't play it. I read somewhere that Grieg couldn't play his A-minor piano concerts very well, but he could write. My role was to compose things, but not really play it.
The artist must yield himself to his own inspiration... I should compose with utter confidence a subject that set my musical blood going, even though it were condemned by all other artists as anti-musical.
I never wanted to get a job of musician. That was kind of my thing. I came from somewhat of a musical family. I had an uncle on Broadway. My dad kind of knows how to play instruments. Although, I always find it annoying when he does play an instrument.
I came from a really musical family. I studied classical piano because my grandparents were piano teachers, but started doing musical theater at age nine in Fresno, California, and went to a performing arts high school. That was my life.
Louie Bellson represents the epitome of musical talent. His ability to cover the whole musical spectrum from an elite percussionist to a very gifted composer and arranger never ceases to amaze me. I consider him one of the musical giants of our age.
All my momma's people were very musical. My grandpa, who was the Pentecostal minister, he was a great musician. He played the fiddle, he played the piano.
My grandma is very musical and can play piano by ear, and my grandpa was in a quartet in Kentucky.
The community of mathematicians is similar to an imaginary community of musical composers whose only satisfaction is obtained by the interchange among themselves of the musical scores they compose.
I don't come from a musical family at all, but I realized early on I was a musician. I started begging for a piano when I was 6 years old.
If I weren't musical, then I would have just published a book, you know? But I'm lucky enough to play piano, and so I use piano to convert my poems.
I think having musical training as a child was really, really important. I studied piano as a child. Piano is a great instrument to understand musical theory on. I think I have that in my brain somewhere.
I always liked major-key music quite a bit, and that might have something to do with so many of the musical experiences of my childhood being based around the piano. On piano, it is very easy to move between major and minor and to really see how it looks and to feel how it sounds.
Whatever is original in my writing comes from my musical apprenticeship. I look for rhythm in words. I imagine words as if they were musical chords. Often I'll write something, read it, and find it musically unsatisfactory. There is a musical imperative in my choice of words.
All musical talent is absent in me, to the point of being unable to play board games that require you to hum a tune while others guess what it is, since all my humming sounds the same. Musical instruments have always seemed like alien artifacts to me, even as I really admire anyone who can play one.
I had an edge in 'Andhadhun' because, being a musician, I knew how to play a guitar, so it was not difficult for me to learn a musical instrument.
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