A Quote by Paul Butcher
When I got a call to do the voice of Johnny in an episode of 'American Dad' titled 'I Can't Stan You,' it was a great opportunity to be a part of a really funny cutting-edge show on television. I really got into the character, and I was able to do some improvisation, which allowed me to mix in part of my personality into the script.
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I got to play a funny part [in the The Master Of Disguise]. There was one thing my character did that involved flatulence and laughing at the same time - that was in the script - and that was basically what sold me on it. I really thought, "This can't help but be funny." And when I saw the film, I was proud that I'd had those moments.
I had the opportunity to go on 2 tours with Selena Gomez and that really boosted the exposure and experience for me. It was when I got a shot at The Voice that I really got the biggest boost and got to show what I could do!
One of the most fun characters I played on a television series, which didn't last long... was a show called 'American Gothic' that Shaun Cassidy created. I would have loved to have done that show forever. That character was so funny yet demonic. It was really good writing and a really good idea. I loved all the people on the show.
I was really proud to be in that show. I will never forget. I got the script to 'Millie,' and I'm flipping through the script and saying, 'Boy, I have some lines... I have a big song.' I was 25 years old and had never been on Broadway before. I got to the end of the script, and I was really nervous and excited. I realized I had a lot to do.
Playing a positive role on a network television show, it was great. I took it as a responsibility. Poncherello was supposed to be Poncherelli, and then when I got this part I said, 'You know what, this guy isn't going to be Italian-American, he's gonna be Hispanic American.' And they went with it.
I think we're the only jokeless show on television. I mean really, we have no setups and no punch lines. It's not a joke show. There are funny lines and funny moments but again the comedy is born of the human experience and awkward pauses are a great part of what it is to be human.
In the 1970s and 1980s, I got to do some great work. The Oscars are really nice, but the best part is that I had the opportunity to do that kind of work.
I'm not a standup. I didn't start off as a writer, I learned to write through improvisation, and so that's the part of the show that can most surprise me. The written part of the show, I know I can get wrong. You can't really get the interview "wrong."
I'm interested in just about anything that's right for my voice, and that's a good fit for my personality in the part as well. 'Evita' has always been a dream part for me, but it's really, really high to sing. I'd love to do Elphaba - heck, I'd even do Glinda. For me, I'd do anything to get into 'Wicked!'
It would be amazing if we got someone like Sarah Silverman on the show, not having a script and just being herself. That's the best part of doing this show: just having funny people being funny.
Years ago I was going to play Chet Baker in another movie and I really felt drawn to that character and the script is good and I met with Robert and we seemed simpatico and we developed. But I had a real passion for that role and that brought me deep into that film 'cause I got the sense that Robert Budreau was going to really let me be creative inside this part.
Things have got to add up to 100 points. The script is part of it, the character is part of it, the people I'm working with is the third part of it - and any combination of the three has got to add up to 100 points.
A lot of people don't realize this, but probably the one person that gets made fun of in 'South Park' more than anybody is my dad. Stan's father, Randy - my dad's name is Randy - that's my drawing of my dad; that's me doing my dad's voice. That is just my dad. Even Stan's last name, Marsh, was my dad's stepfather's name.
I kind of got really lucky a couple of years ago: I got to do a part in 'The Descendants,' in Alexander Payne's movie. I just had a small part, but I got to do a few scenes with my best friend George Clooney.
I read for 'Reservoir Dogs,' and it got down to me and Buscemi, and Quentin couldn't make up his mind. I really wanted that part, but Buscemi is great in that. I also got really close on 'Gladiator,' but Ridley Scott decided on Russell Crowe, who's perfect in it.
I think, at the end of the day, that was really what the reward for production is for me, is being allowed to be a part of somebody else's musical vision for a while. Like Gwar. I got to do a Gwar record, right? That was great.
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