A Quote by Paul Celan

Poetry is a sort of homecoming. — © Paul Celan
Poetry is a sort of homecoming.
He inclined his head at my dress. "What's the occasion?" "Homecoming," I said, twirling. "Like?" "Last I heard, Homecoming requires a date." "About that," i hedged. "I'm sort of...going with Scott. We both figure a high-school dance is the last place Hank will be patrolling." Patch smiled, but it was tight. "I take that back. If Hank wants to shoot Scott, he has my blessing.
Because homecoming came first, and there was the homecoming court. The five guys on homecoming court were disqualified from being in the prom court. So being prom king was being sixth most popular.
Your homecoming will be my homecoming
Before we started shooting 'Homecoming,' we were in the writer's room for 'Mr. Robot.' I was also editing Season 3 of 'Mr. Robot' while I was prepping for the 'Homecoming' shoot. So yeah, it's a lot of hats.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
I don't know that I had a sense that there was such a thing as "the poetry world" in the 1960s and early 70s. Maybe poets did, but for me as an onlooker and reader of poetry, poetry felt like it was part of a larger literary world. I mean, even the phrase "the poetry world" reflects a sort of balkanization of American literary and artistic life that has to some extent happened since then.
Often poetry, especially the sort of poetry I write, is concerned with looking at the borders between the sensual and the spiritual and seeing them as divided, equivocal, that mystery somehow can break in to the ordinary. And we read poetry I think in part, to gain a sense of that intimacy with things that we can't understand that are unable to be understood but that buoy up our lives.
My only experience in the world of tiaras was as a contestant in a homecoming queen pageant that featured all the high school homecoming queens in the South. While I did not win (much less place), I did walk away from the experience with a renewed sense of self confidence and ambition.
The poetry, if you will, of life is reduced to this sort of dry, scientific, you know, it's the worst sort of précis of who we are.
I guess the thing that I'm most proud of is that I kept on writing poetry. I understand that poetry is sort of the source of everything I do. It's the source of my creativity.
Poetry has always been this completely alien art to me. I am the sort of bloke who, when he gets into things, generally tries to have a go at doing them. But I've never thought I could write poetry.
But it's silly to suggest the writing of poetry is something ethereal, a sort of soul-crashing, devastating emotional experience that wrings you. I have no fancy ideas about poetry. ... It doesn't come to you on the wings of a dove. It's something you have to work hard at.
Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys.
Lyric poetry is, of course, musical in origin. I do know that what happened to poetry in the twentieth century was that it began to be written for the page. When it's a question of typography, why not? Poets have done beautiful things with typography - Apollinaire's 'Calligrammes,' that sort of thing.
I myself have never called what I write anti-poetry. I also think that my poetry should not be only known as the poetry of Ernesto Cardenal but rather as Nicaraguan poetry.
I'd always tended to regard song lyrics as sort of a bastard medium because they're subjugated under the music. If you were to regard them as poetry, it would be bad, embarrassing, confessional poetry - a lot of the lyrics I love.
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