A Quote by Paul Cezanne
What I am trying to translate to you is more mysterious, it is entwined in the very roots of being, in the implacable source of sensations.
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I've been working a lot with identity and roots, being part of your roots. I went into this topic where I was trying to break the stereotype of Arabic language. The non-translation work, this is where I make the switch, where you don't need to translate.
Lots of people look for happiness through sensations, whether it's through sex, the taste of food, the sound of music, the sensations of movies and plays, creating a certain environment in their home, and so on. Looking for happiness through sensations keeps you constantly searching for the next "fix" and for more varied sensations. Sensations become addictions, and nothing is ever enough.
I am human. I am messy. I'm not trying to be an example. I am not trying to be perfect. I am not trying to say I have all the answers. I am not trying to say I'm right. I am just trying - trying to support what I believe in, trying to do some good in this world, trying to make some noise with my writing while also being myself.
I think the source of our sorrow and the source of our joy are intimately entwined. Our sorrow is that we have forgotten who we are, we have forgotten we are one with that source of all life - absolutely indestructible, perfect, joyful. The source of our joy is when we remember that.
Implacable I, the implacable Sea; Implacable most when most I smile serene- Pleased, not appeased, by myriad wrecks in me.
I am trying to stay away from this position of me "returning to my roots." As if my roots are that I'm only comfortable working on low-budget, small films. That's not the case at all.
You're faced with creation, you're faced with something very mysterious and very mystical, whether it's looking at the ocean or being alone in a forest, or sometimes looking at the stars. There's really something very powerful about nature that's endlessly mysterious and a reminder of our humanity, our mortality, of more existential things that we usually manage to not get involved with very often because of daily activity.
I'm not standing above the audience trying to manipulate them as a puppet master or a trickster; I'm inside the story I'm writing and making and thinking about things very seriously and feeling very deeply at times, and trying to translate that into a narrative.
i am with the roots of flowers entwined, entombed sending up my passionate blossoms as a flight of rockets and argument; wine churls my throat, above me feet walk upon my brain, monkies fall from the sky clutching photographs of the planets, but i seek only music and the leisure of my pain
My students are very special. They are my source of pride, my source of joy, my source of hope. I am terribly fond of my students.
I don't like to use the word 'remake', I think reinterpretation is a better word. It's just a matter of respecting the source, and then trying to make your own film, and trying not to be inhibited by being so beholden to every single thing... We respect the source, but we make changes to it.
We have very strong roots in Italy and we are committed to deepen these roots even more.
'Khelo' Games is certainly a good idea. I am happy to see that the government is trying to do something to improve sports at the grass-roots level and that lots of money is being spent on it.
Because two bodies, naked and entwined, leap over time, they are invulnerable, nothing can touch them, they return to the source. There is no you, no I, no tomorrow, no yesterday, no names, the truth of two in a single body, a single soul, oh total being.
I'm not into branding - I'm trying to be organic to who I am on every level. I do really connect to being a part of the working class. Those are my roots. My family [consists of] farmers from Portugal, builders, housekeepers and stonemasons.
I couldn't really experience being an author when I was still working in publishing - I was trying to negotiate being both. Sometimes the knowledge doesn't translate between the two roles.
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