A Quote by Paul Cezanne

The clear French landscape is as pure as a verse of Racine. — © Paul Cezanne
The clear French landscape is as pure as a verse of Racine.
It is a commonplace that Racine is untranslatable. This is not because his verse is difficult, but because it is not.
Collect all the facts that can be collected about the life of Racine and you will never learn from them the art of his verse. All criticism is dominated by the outworn theory that the man is the cause of the work as in the eyes of the law the criminal is the cause of the crime. Far rather are they both the effects.
The fashions we call English in Paris are French in London, and vice versa. Franco-British hostility vanishes when it comes to questions of words and clothing. God save the King is a tune composed by Lully for a chorus in a play by Racine.
Shakespeare, with an improved education and in a more enlightened age, might easily have attained the purity and correction of Racine; but nothing leads one to suppose that Racine in a barbarous age would have attained the grandeur, force and nature of Shakespeare.
Each individual is unique in ordinary life. The uniqueness becomes even more sharp and clear, crystal clear, when the person becomes enlightened - because only then his pure genius, his pure individuality, uncontaminated, unpolluted, is revealed.
In Phebus realm, in knowledge as in verse,All things are clear, the sun of Phoebus clear,Clear was his crystal, the Kastalian.What you cannot clearly say, you don't know:To tongue of man his thought brings word:What's said obscurely is what's thought obscurely.
It is commonly the personal character of a writer which gives him his public significance. It is not imparted by his genius. Napoleon said of Corneille, "Were he living I would make him a king;" but he did not read him. He read Racine, yet he said nothing of the kind of Racine.
First, I do not sit down at my desk to put into verse something that is already clear in my mind. If it were clear in my mind, I should have no incentive or need to write about it.
Write verse, not poetry. The public wants verse. If you have a talent for poetry, then don't by any means mother it, but try your hand at verse.
If we have to prove our Europeanism by accepting that French is the dominant language in the Community, then my answer is quite clear, and I will say it in French in order to prevent any misunderstanding: Non, merci beaucoup .
Whatever you think The Uni-verse is withholding from you, YOU are withholding from The Uni-verse. If you think that The Uni-verse isn't answering your prayers, chances are you aren't listening to your intuition and following it. You are so scared that you ask for new intuition, but that's not how life works. The Uni-verse is constantly whispering to you, nudging you to trust It and take a leap. But if you don't take the leap of faith, then The Uni-verse can't open any more doors for you.
The first two books that I did by myself were long stories in verse. I knew I could do that because I'd written a lot in verse. But, verse stories are hard to sell, so my editor encouraged me to try writing in prose.
Every human soul has seen, perhaps before their birth, pure forms such as justice, temperance, beauty and all the great moral qualities which we hold in honour. We are moved towards what is good by the faint memory of these forms, simple and calm and blessed, which we saw once in a pure, clear light, being pure ourselves.
I am not at all clear what free verse is anymore. That's one of the things you learn not to know.
When I arrived at Columbia, I gave up acting and became interested in all things French. French poetry, French history, French literature.
We need French chaplains and imams, French-speaking, who learn French, who love France. And who adhere to its values. And also French financing.
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