A Quote by Paul Cleave

I had to sell my house and make a lot of sacrifices to become a writer, and it sucks not to get taken seriously. — © Paul Cleave
I had to sell my house and make a lot of sacrifices to become a writer, and it sucks not to get taken seriously.
As for poetry 'belonging' in the classroom, it's like the way they taught us sex in those old hygiene classes: not performance but semiotics. If it I had taken Hygiene 71 seriously, I would have become a monk; & if I had taken college English seriously, I would have become an accountant.
My wife has been incredibly supportive of me as a writer. Trying really hard to make sure I get the space and time I need to work as a writer and being willing to make some of the sacrifices that you have to make to live the life of an artist.
I spent most of the 90s trying to make it as a producer - which is a difficult game to get into at the best of times, let alone pre internet - and then I got married, had three boys and we moved house. I had to sell a lot of my gear, so a lot of the original set up went. I was busy being a dad and working, but still loved music.
If you want to become a writer, you do need to be willing to make sacrifices.
While working on my first five books, I kept wishing I was writing a novel. I thought until you wrote a novel, you weren't taken seriously as a writer. It used to trouble me a lot, but nothing troubles me now, and besides, there has been a change. I think short stories are taken more seriously now than they were.
Sure we girls can wear pants now, and vote, and go to college, have a bank account, get a job that is not just stewardess or nurse. But we still have to deal with micro-aggressions and daily sexism. We are still fighting for word over our own bodies. We still get the short shrift on equal pay. We're still not represented in media or the arts with total parity. Not on screen or on the page or behind the scenes. It's still not easy. There is still this constant low-grade fight to be seen and taken seriously when you are a girl and when you become a woman. It totally sucks.
I'd like to do more dramatic roles but I would never give up comedy to do it. I've seen a lot of actors that do a complete 180 degrees and say: "I'm done with comedy, I want to be taken seriously." I take my comedy very seriously and I want to be taken seriously because of my comedy. I think it's more fun for me. I enjoy laughing and attempting to make people laugh. So I'd like to do more drama but I'd never do the 180 thing.
I thought my inner voice was telling me it was time to sell my house and get rid of everything that I had. But what I was told was to just make my load lighter.
Beautiful actors are learning what beautiful actresses like Charlize Theron discovered a while ago - that they get taken more seriously when they trash the same beauty that got them taken seriously to begin with.
What do you want? What are you willing to give up to get it? Writing requires you make sacrifices. Be prepared to work hard to be a writer.
The incarnation is “a kind of vast joke whereby the Creator of the ends of the earth comes among us in diapers Until we too have taken the idea of the God-man seriously enough to be scandalized by it, we have not taken it as seriously as it demands to be taken.
Sometimes I do get writer's block but it's more of a writer's doubt - I'll try and write but nothing goes anywhere because I start thinking everything sucks.
I think it's significantly easier to be a female writer today than in the early 1800's. That said, it's hard to imagine almost anyone who knows anything about publishing disagreeing with the statement that women writers today are often taken much less seriously than men writers. But it's hard to quantify, and even define, what being taken seriously means.
I want studios that make story-based games to start taking their stories more seriously. And that doesn't mean hiring a big shot writer from Hollywood; it means that story becomes integral to making your game. I don't see how you can achieve that without having an in-house writer that sits next to the designer, helping them make their levels, talking with the engineers about where we can tell the story more dynamically, pushing at technology.
If I had grown up in London, I wouldn't have been as keen to become a comedian or a writer. I'd have been able to see a lot of good films and music and comedy. I'd have been distracted. As it was, I had to make it.
A humorist has to be taken seriously before he's considered a real writer.
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