A Quote by Paul Conrad

If I can finish a cartoon in 20 minutes, then that's the ideal editorial cartoon - it's to the point. — © Paul Conrad
If I can finish a cartoon in 20 minutes, then that's the ideal editorial cartoon - it's to the point.
One way to escape the universe in which everything is a kind of media cartoon is to write about the part of your life that doesn't feel like a cartoon, and how the cartoon comes into it.
The cartoon me writes the books cartoon people read in the cartoon world, because they need things to read there too.
If you win elections on the theory that government is always bad and will mess up a two-car parade... a real change-maker represents a real threat. So your only option is to create a cartoon, a cartoon alternative, then run against the cartoon. Cartoons are two-dimensional; they're easy to absorb.
I quite liked Sharkey and George and then there was a cartoon with rapper MC Hammer in it - Hammertime - I loved that cartoon, it was genius! They don't make cartoons like that anymore.
With a standard editorial cartoon, you're taking tons of information and synthesizing it down to a single bite - a single moment in time. With animated editorial cartoons, it's more storytelling.
I learned through the 'Jack Nicklaus Lesson Tee,' the cartoon. Back then, it was 1970 or '69 when it came out. Learned the grip that way and everything in the cartoon... So that's kind of how it all started for me.
My very first professional job was a cartoon, doing voices for the Mr. T cartoon in high school.
Don't want to end up a cartoon in a cartoon grave yard.
No one blames themselves if they don't understand a cartoon, as they might with a painting or 'real' art; they simply think it's a bad cartoon.
No one blames themselves if they don't understand a cartoon, as they might with a painting or "real" art; they simply think it's a bad cartoon.
There was a time when watching a cartoon was a nurturing experience. You would watch a Warner Bros. cartoon, and at the end of it you could probably win 'Jeopardy.'
I still do the standard editorial cartoon: that is my bread and butter. I absolutely love doing that.
Tick is a cartoon character, I don't know if you're familiar with him. This is the third step in his evolution. Comic book to cartoon to, now, live-action.
Saturday morning cartoons do that now, where they develop the toy and then draw the cartoon around it, and the result is the cartoon is a commercial for the toy and the toy is a commercial for the cartoon. The same thing's happening now in comic strips; it's just another way to get the competitive edge. You saturate all the different markets and allow each other to advertise the other, and it's the best of all possible worlds. You can see the financial incentive to work that way. I just think it's to the detriment of integrity in comic strip art.
I grew up watching the old 'Batman' shows, the 'Batman' cartoon, and the 'X-Men' cartoon was on when I was little. I was always surrounded by superheroes.
It makes a lot of sense to me that I would be a cartoon. I feel like a cartoon as a person. I really, really do.
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