A Quote by Paul Craig Roberts

When character is lost, rules and punishments cannot take its place. — © Paul Craig Roberts
When character is lost, rules and punishments cannot take its place.
Rules cannot take the place of character.
The character is what trips you up - the thing of, "I'm going to get so dark in this character that I'm going to get lost in a character." You can't get lost in a character. You can only think you're lost in a character.
But rules cannot substitute for character.
Two conflicting forces cannot exist in one human heart. When doubt reigns, faith cannot abide. Where hatred rules, love is crowded out. Where selfishness rules, there love cannot dwell. When worry is present, trust cannot crowd its way in.
But if the UN cannot or will not revise its rules in ways that establish beyond question the legality of the measures the United States must take to protect the American people, then we should unashamedly and explicitly reject the jurisdiction of these rules.
When wealth is lost, nothing is lost; when health is lost, something is lost; when character is lost, all is lost.
If I cannot in honest happiness take the second place (or the twentieth); if I cannot take the first without making a fuss about my unworthiness, then I know nothing of Calvary love.
Everything necessarily is or is not, and will be or will not be; but one cannot divide and say that one or the other is necessary.I mean, for example: it is necessary for there to be or not to be a sea-battle tomorrow; but it is not necessary for a sea-battle to take place tomorrow, or for one not to take place--though it is necessary for one to take place or not to take place.
You said you knew the perfect place to run to. A place that was empty of people, and buildings, and far, far away. A place covered in blood-red earth and sleeping life. A place longing to come alive again. It's a place for disappearing, you'd said, a place for getting lost... and for getting found. I'll take you there, you'd said. And I could say that I agreed.
I want people to hear really exciting music played by the best, but in a context where they can clap when they want to, chase their toddlers, drink beer, take photos, get lost in the music and generally be themselves. And because a field has no rules, it's the perfect place to create unlikely combinations of musical genres.
Whatever film it is, the geography has to be right. If I cannot establish it, I'll get lost. I wouldn't even understand it in the first place! I hence visit a place and decide what can be conveyed from where; how that can be incorporated in the story.
Human beings do not know their place and purpose. They have fallen from their true place, and lost their true purpose. They search everywhere for their place and purpose, with great anxiety. But they cannot find them because they are surrounded by darkness.
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
When they were making black films in the '60s and the '70s, everyone knew their place, if you get my drift. You understand? Everyone knew the rules, and everyone knew their place. Everyone knew what to say. They had the written rules in Hollywood film, and the unwritten rules.
Whatseems to take place outside ideology (to be precise, in the street), in reality takes place in ideology. What really takes place in ideology seems therefore to take place outside it. That is why those who are in ideology believe themselves by definition outside ideology: one of the effects of ideology is the practical denegation of the ideological character of ideology by ideology: ideology never says, 'I am ideological.'
My writing, such as it is, grows out of my sense of discolation, I mean, dislocation. Having lost my place, I write to find my place, or to find once again that I have lost my place.
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