A Quote by Paul Dalio

I want the audience to think about how many people are hiding in the shadows with the condition. I want the film to take away the stigma of thinking of this as a disease and an illness to be crushed. I want those in the condition to shine and contribute to the human spirit.
I want people to see the beauty of that condition through the eyes of the characters. In doing that, they can allow people who have the condition to be more accepting of it, and to be open about it. That would be a contribution to the people who have it, and considering that 38% of the Pulitzer Prize winning poets are Bipolar, to think about how much these individuals have contributed to the human spirit.
If I'm away from you for more than an hour, I can't stop thinking about you. I carry you in my spirit. I pray for you more than I pray for myself...I know you don't believe in fairy tales. But, if you did, I'd want to be your knight in shining armor. You've been through so much. I don't want to see you hurt anymore. Now I may not be able to give you all that your used to. But I do know I can love you past your pain. I don't want you to worry about anything. You just wake up in the morning, that's all you have to do and I'll take it from there...There's one condition...You have to be my wife
I think love means a warm feeling about a human or a condition, where you feel emotional, and you feel like you want to be around them or it. You want to take care of it or them, the person, and be with them.
Epilepsy is a disease in the shadows. Patients are often reluctant to admit their condition - even to close family, friends or co-workers - because there's still a great deal of stigma and mystery surrounding the disease that plagued such historical figures as Julius Caesar, Edgar Allan Poe and Lewis Carroll.
I want to be open about my condition to show others that they are not alone in dealing with this form of chronic hives. My advice for people with CIU is to talk to their doctor about their condition.
The writers are writing human beings, and they're writing about the human condition and how difficult it is to function in that condition. I think it's one of the charms of the show, the idea of redemption and working towards becoming better people, for everybody involved.
On the other hand, whatever condition we are in, we must always do what we want to do ,and if we want to go on a journey, then we must do so and not worry about our condition, even if it's the worst possible condition, because, if it is, we're finished anyway, whether we go on the journey or not, and it's better to die having made the journey we've been longing for than to be stifled by our longing.
Any other illness and you have time off work, but there is a lot of stigma around mental illness. It's frightening to talk about it. The people suffering don't want sympathy.
If the participants regret participating, then you won't have something that reveals some greater truth about human condition or allow some other perspective. You need people to want to be there so they can talk at length and want to continue talking to you.
I did sit in cinemas as a kid looking at English and American movies thinking, "Wouldn't it be great if the characters were like real people?" And the worst thing is films are constantly advertising themselves, drawing attention to their style of things. But actually I make films that I think are extremely sophisticated and cinematic. But you don't want the audience thinking about the bloody film. You want them to think about what's going on, and believe in it. Be flies on the wall, you know?
I think that if there's one key insight science can bring to fiction, it's that fiction - the study of the human condition - needs to broaden its definition of the human condition. Because the human condition isn't immutable and doomed to remain uniform forever.
I want to be here for my family. I want to make stuff in Australia. I want to take what I've learned and contribute it to the industry. I think there's a moral imperative to do so for people like me.
One of the things I admire so much about Atom Egoyan is that again and again he makes movies about the human condition, who we are, what we want, how we communicate to one another and this is also an exploration of a long-term relationship and what happens in it. There's human sexuality and all those kinds of things, so that helps - it all helps. You realise that I'm not a Playboy bunny.
Those are the films I want to make. I don't want to make a film about, "Oh, those poor prostitutes!" Or "Oh, isn't it terrible in Chicago!" I want to make a film where people think, "Brenda's like me!"
I don't deserve your love or your shine, but I want it because with you I can feel the sun. I don't want to go back to those shadows.
Lately, I'm thinking a lot about, in parenting and in my writing, how to create a language about sexism in a way that is attractive and approachable to this age group. I can teach my daughter about not talking to strangers but I can't teach her about how to succeed in a sexist world or even how to exist as a body in a sexist world. I want to begin by asking girls what they want and why they want it? Interrogating that. If this is the sex life you want, what makes you think you want that? I imagine the only way to authentically get at sexuality is by asking those questions.
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