A Quote by Paul Dano

I think I was almost 12, so I knew who George C. Scott was, but if I could work with George C. Scott now, I'd be so pumped. — © Paul Dano
I think I was almost 12, so I knew who George C. Scott was, but if I could work with George C. Scott now, I'd be so pumped.
Scott Eastwood always came in and did a good job. And he's now graduated to better roles, and the chicks are all calling and asking where Scott is. They used to ask where I was. Now they're going, "What about Scott?"
The ghost story movie that scared me the most was The Changeling with George C. Scott. I think that's sometimes overlooked, but it's a wonderful piece of work.
You know, one of the biggest thrills that I have is when famous people recognize me from "Taxi." When I was working with George C. Scott on "The Titanic," he knew every episode. He would quote lines from it. . .
And I'd watch George C. Scott from backstage. He was one of my mentors.
George C. Scott, man, was a powerful dude.
When somebody mentions that I did a play with George C. Scott, I'm like, it can't have happened. What was I doing on a Broadway stage at 11 years old? It's so far in the distance now.
What I hear about the book does not sound like the Scott McClellan I knew for two years. I can say, without fear of contradiction, that I knew Scott better than any other White House correspondent or Washington reporter.
Scott Aukerman and Judd Apatow are two people who I owe a lot to, and it's always great to work with Scott whenever I can.
It's interesting that some people reading the comics see Scott Pilgrim as a blank slate in that they like to imagine themselves as Scott Pilgrim, so it's interesting that there are two kind of schools of thought about the character. One is, like, Scott Pilgrim is awesome. The second is Scott Pilgrim believes himself to be awesome.
For 'So Cold the River,' I'm actually working on adapting the book with Scott Silver, who was just nominated for an Oscar for 'The Fighter,' and who also wrote '8 Mile,' which I think is a terrific screenplay. The chance to work with Scott is a tremendous pleasure and I'm learning a lot.
I figure there are a few actors like Marlon Brando, George C. Scott and Laurence Olivier who have been touched by the hand of God. I'm in the next bunch.
I've often thought about that and the only suitable member to join me on that climb [to Everest] was George Lowe: he was strong, a good man on a mountain, with a great sense of humour, and I liked that. I think George and I could've done that together ... I've probably never told George that.
In 1969, at the age of 19, I was lucky enough to work with George C. Scott in the definitive portrayal of his career over a period of many months and several countries on the definitive film version of Patton's WWII career.
There was once a great actor named George C. Scott. He was on stage in the Delacourt Theater in Central Park, where they do Shakespeare every summer, and he was playing Shylock in The Merchant of Venice. At one point he took the robes he was wearing and just started flipping them up in the air, out of nowhere. And later, an actor said to him, "What was that, George, what were you doing?" And he said, "They were sleeping." You're always trying to catch them.
For me, I was really struggling because I was Scott Hall in the gym and Scott Hall in the grocery store and in the ring. Until I got a gimmick, a look, and got to be a character, that's when I started making strides. As Scott Hall, I didn't have a gimmick, so I didn't know what to do.
I grew up loving Ridley Scott and Tony Scott and Michael Bay and Adrian Lyne.
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