A Quote by Paul Dano
I've seen people, where if they have to wait around the set for three hours, and they call you at the wrong time, and they're not ready for you, some people don't like that.
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The thing I hated about it was that you live in your trailer all the time and then they call you and you do maybe two dozen lines. Then they do that for three hours and you wait and wait and wait, and I don't like waiting.
I don't like to be on a set and wait three hours, just to make some lighting adjustments. I like to shoot. That's what I want to do. I'd rather shoot something dumb than wait.
It's the answer told by lines that stretched around schools and churches in numbers this nation has never seen; by people who waited three hours and four hours, many for the very first time in their lives, because they believed that this time must be different, that their voice could be that difference.
We’ve seen with this president, experience matters. When that phone call comes at three o’clock in the morning, I will be up and ready for the call because I will know what’s going on in the world around us.
In spite of being professionally gregarious, in my nonpaid hours I'm a bit of a hermit. After being around a crew of fifty people for twelve hours a day on a film set, I really like my alone time, and as always, I abhor small talk.
Some people would call me a workaholic. I don't consider this time: I just love my work so much, so it's my real hobby, OK? And, yeah, getting some play during working hours for which you are paid is the best job I can recommend for anyone around!
Call-time has renewed my faith in the need for public financing of elections. 'Call-time' is where I as the candidate, sit in a room with my 'call-time manager,' and a phone. Then I call people and ask them for money. For hours. Apparently, I'm really good at it.
Call-time has renewed my faith in the need for public financing of elections. Call-time is where I as the candidate, sit in a room with my “call-time manager,” and a phone. Then I call people and ask them for money. For hours. Apparently, I’m really good at it.
I stay around for two or three hours after every show signing and taking pictures with everybody, and people come up and say hi and they say, "I didn't know what to expect but it was so different to what I imagined, it was so cool". I want to believe they're not lying. You know so, some people don't get it, some people do.
I don't think I'm supposed to boss other people around just because I'm a so-called celebrity or star. I hate that when people act that way. No one deserves it. I've seen it happen. I don't call those people out - they know who they are. Some enjoy that reputation.
I am up at 3:30, reading the op-ed pages and getting ready to be on the air by 6 A.M. on the set of 'Morning Joe,' and after three hours of TV and two hours on the radio, it is only 12 noon.
Risks are a measure of people. People who won't take them are trying to preserve what they have. People who do take them often end up having more. Some risks have a future, and some people call them wrong. But being right may be like walking backwards proving where you've been. Being wrong isn't in the future, or in the past. Being wrong isn't anywhere but being here. Best place to be, eh?
I definitely isolate, but I also always have people in front of me, and I have to be OK with that. I'm in a business where, on the set, you're around two hundred people every day, and if you're high on the call sheet, you sort of set the tone for the set. And you want people to feel appreciated, and you want to ask them how their kids are. You want to talk to people and invest in them and let them know that they're appreciated and heard. But then I do like to just kind of withdraw.
Comedy is a weird thing. You have to understand, it's the weirdest thing you can do. There's no consensus. It's not like... People say, "I saw Saving Private Ryan, and that scene on the beach is just so moving." I can't imagine anyone who would say "I don't find that moving!" But you can show, whether it's Laurel & Hardy or the Three Stooges or Jiminy Glick In Lalawood, some people are going to look at it and say "That's the funniest thing I've ever seen." Some people will say "I don't get it." Who's right, who's wrong?
Four hours of makeup, and then an hour to take it off. It's tiring. I go in, I get picked up at two-thirty in the morning, I get there at three. I wait four hours, go through it, ready to work at seven, work all day long for twelve hours, and get it taken off for an hours, go home and go to sleep, and do the same thing again.
There's an expression in life: "You can only make one first impression." And that first impression has to be spectacular. So, I wait, and let people see it when it's ready to go. It's not a set rule, but I think it's the better way of working. People will agree with you because of your track record, but you want people to like it because it's good, not because you found it.
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