A Quote by Paul Dano

One of my favorite things I read was John Steinbeck's journals while he was writing 'East of Eden,' which was so cool. — © Paul Dano
One of my favorite things I read was John Steinbeck's journals while he was writing 'East of Eden,' which was so cool.
In East of Eden, John Steinbeck wrote that there's never been a great creative collaboration. When the Beatles first burst on the scene, I thought they were proving him wrong. Later, we learned that Lennon and McCartney had each composed their pop masterpieces separately, individually. So it goes.
While open-access journals have grown rapidly, researchers still have to read the paywalled articles in commercial journals.
Some may say [journal keeping] is a great deal of trouble. But we should not call anything trouble which brings to pass good. I consider that portion of my life which has been spent in keeping journals and writing history to have been very profitably spent. - "If there was no other motive in view [except] to have the privilege of reading over our journals and for our children to read, it would pay for the time spent in writing it.
This all came of a conversation I had with [John] Steinbeck once when we were standing in a men's room somewhere. Steinbeck asked me why I didn't play the banjo any more and I told him that went out with the high-button shoes.
I just want people to finish the book and say, 'I was entertained.' When I set out to do it, I had no deal in place. I knew it would be tough. I read somewhere that John Steinbeck was turned down 22 times on his first novel. But I was just going to do it.
With my human rights advocacy, that's always been through my writing. I've always tried to write articles and contribute to journals and a lot of online journals - about human rights, especially Palestinian human rights. I find the time to do things to do things I'm passionate about, because I find enjoyment in them. I just have to juggle.
I lived in Calcutta for five months in 1999. While I was there, I read many journals, diaries, collections of letters and histories.
I read a lot when I was in school in the United States, and even though writing in English is very difficult for me, I wrote in journals.
Read. Read. Read. Read many genres. Read good writing. Read bad writing and figure out the difference. Learn the craft of writing.
Reading is the creative center of a writer’s life. I take a book with me everywhere I go, and find there are all sorts of opportunities to dip in. The trick is to teach yourself to read in small sips as well as in long swallows. Waiting rooms were made for books— of course! But so are theater lobbies before the show, long and boring checkout lines, and everyone’s favorite, the john. You can even read while you’re driving, thanks to the audiobook revolution. Of the books I read each year, anywhere from six to a dozen are on tape.
There are instances: [Henry David] Thoreau read [John] Wordsworth, [John] Muir read Thoreau, Teddy Roosevelt read Muir, and you got national parks. It took a century for this to happen, for artistic values to percolate down to where honoring the relation of people's imagination to the land, or beauty, or to wild things, was issued in legislation.
I don't end up writing songs in my journals, but I'm sure that my ability to write songs has been helped by how consistently and impulsively I try to get my life into words through the journals.
I'm really influenced by Southern novelists, not many movie people. More like John Faulkner, William Faulkner, Erskine Caldwell, Flannery O'Connor, John Steinbeck, and people like that.
If you want to study writing, read Dickens. That's how to study writing, or Faulkner, or D.H. Lawrence, or John Keats. They can teach you everything you need to know about writing.
I'll read anything. In fact, I'll read while I'm doing other things, which is not a good idea.
You didn't grow up in the shadow of John Steinbeck. He put you on his shoulders and gave you all the light you wanted.
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