A Quote by Paul Dano
A lot of people think I must be weird because of the films I've done. I get that.
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I'm drawn to a lot of first-time directors. One of the great common denominators in these small independent films is that there's a person, or two people, who have an absolutely monomaniacal passion to get these films made. That's what makes them happen. Sometimes, it takes years and years to finally get it done, but by never backing down, by never giving up, they get these films to the screen by hook or by crook.
I want to do comedy films, serious films - I admire the actors who fly under the radar but get loads done, pop up in a lot of good films.
I've love to do more movies. Just because I'm interested in the medium very much. I've done a lot of theatre at this point, and I've done a lot of TV. I've done a few independent films, but a lot of them have not seen the light of day. It'd be really nice to be in a film that gets out there.
I don't know if I get recognized necessarily, though I do get looked at a lot - but I don't know if it's because of who I am, or if people just think I look weird.
Sometimes I get gigs in weird, artsy places because weird, artsy people embraced my public-access show, which I could only have done in the way I did in New York.
We've done a lot of films now about the IRA, we can move on from all that. I loved '71 because I think it showed a very honest trail and what it was actually like. It wasn't one-sided. I really respect ['71 director] Yann [Demange] for what he did. But we have done a lot of those things.
I think a lot of people misunderstand what I'm doing, because my films are not easy sometimes. They do deserve a second viewing. I think they get misunderstood easily.
I've mostly worked in weird films playing weird characters, probably because I'm a weird person.
It is weird because a lot of people don't realise, I would struggle for budget. There are moments with the people I work with sit there and think what have we got to do to make people realise that if Billy doesn't get sponsorship he won't be racing.
We're weird guys. I don't know if a lot of people get our humor. A lot of people probably think we're jerks. We're real sarcastic. Really ironic and stuff. We mean well, but we joke around probably a lot more than we should.
It's weird when people are just staring at you because the thing is, people are not quite sure ... I get a lot of: "Are you off the TV?" It's funny. I don't and I don't get to the sort of clubs where people expect to see you.
I must be honest and say that I was under the fascination of films. I was fascinated by all films, even the words of them. If I was to do a more-precise analysis of the situation, I have to admit that I was more entertained by the bad films than the good ones. Because when something is beautiful, it is there; it is finished; it is done. It doesn't have to be touched or be worked upon.
I do a lot of weird movies that maybe you don't like and I experiment a lot but maybe I do appreciate the process and I think my greatest joy in this business is that I have had the ability to screw up in a lot of really interesting films!
There is this whole level of communication that I think our generation and younger is used to that does have this weird effect on people. It creates a familiarity that is possibly not always justified. I think that's interesting and I think it's nice to be able to incorporate it into films, because most of us can relate to that now.
It meant a lot because it was my first time to compete as a senior at that meet, which was kind of weird because I've done senior all year, but I didn't get to compete last year because of my elbow.
People think, "Oh my god, you've been doing this job for so many years, it must get boring." It's like, "No, hell no," because I get to sing, I get to dance, I get to be on TV and in films, I get to do merchandising, licensing, show up at conventions, write, or take photographs for my book. There are so many different things going on for me that it never gets boring. It's always fun and interesting.
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