A Quote by Paul Dano
Films can be entertaining without shying away from exploring something. They can be magical and have fantasy, but also can have enough reality that you can be really emotionally invested.
Related Quotes
You always start with a fantasy. Part of the fantasy technique is to visualize something as perfect. Then with the experiments you work back from the fantasy to reality, hacking away at the components.
Making movies in France is different, but it's still acting, you know. You still have doubts and you're scared, always, but I really love doing films in America, because I love to speak English. But I think there's something very entertaining about American films. But I also like the intimacy of French films.
I think I had a lot of fear, even when I was really young, that I was going to be seen as something that I didn't want to be. I didn't really know how to be myself well enough to be comfortable being someone else. Now, as an adult, I have a grounded enough awareness of who I am as a human being and what I'm comfortable exploring and what I'm not interested in exploring.
The films that have influenced me most are: 'The Hustler', 'Badlands', 'Hud', 'Tender Mercies', 'Cool Hand Luke', 'A Perfect World', and 'Laurence of Arabia'. I also really like 'Fletch'. I feel like all of these films reached an honest place in regard to the human condition while also stringing together really entertaining stories.
The reality, or substance, of professional wrestling is the ability to perpetuate a fantasy. I never distinguished between fantasy and reality. I made my fantasy reality for over 60 years.
There certainly is no secret in that there are plenty of people who don't like plenty of my movies. Each one of my films is personal; each one of my films is emotionally autobiographical. And I like directors who do that. With each one of my films, I'm exploring one of my own issues and I try to expose myself a little in the film.
I think culture's always been violent, and it is something we find very entertaining. Not only does it reflect our social reality, but it also reflects our psychic reality.
I'm shying away from getting lost in really bad movies for really good money.
I'm emotionally invested in every movie that I do, period, because you've got to make that commitment. You're spending a year, 18 months of your life doing it. I'm invested in all those kinds of pieces. Most of the films I've had in my career have never tested well. I got lucky that sometimes I got supported by studios - or, at least if not supported, tolerated.
I get so tired of people saying, 'Oh, you only make fantasy films and this and that', and I'm like, 'Well no, fantasy is reality', that's what Lewis Carroll showed in his work.
There's magic all around us: Our smartphones are magical, 3-D printers are magical. So I feel that as a magician, if I can pull off something that seems real and convincing enough that I can explain why it's happening and have people believe it, it really is fascinating. And funny.
People who are slavish to a fantasy ideology become very lonely in the world. It's very alienating and sometimes reality is very threatening to this magical way of thinking. On the other hand, if it is a politician or leader that chooses for whatever reason to remain in this state of magical thinking, then they should be called out for it strongly and repeatedly.
The world needs fantasy, not reality. We have enough reality today
I love Nicole Holofcener and Lynn Shelton, both for the same reasons: their films are funny without being forced, intimate and real while also being hugely entertaining.
I don't care how much hardware you throw at an audience. If they are not emotionally invested in the thing, it's zero. I can name a slew of films, but I have no ax to grind. I understand the commerce of Hollywood probably better than anyone.
People normally view my work as fantasy, which on some level is true, but I do think that my work is more magical realist than fantasy. I believe in the fantasies within each of our realities, i.e., I portray very relatable human issues in a very realistic tone, yet in a magical setting.
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