A Quote by Paul Dano
I want to do some bigger films, so long as there's some sort of exciting creative element or a good filmmaker behind them.
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I think every filmmaker wants... I don't know about every filmmaker. I certainly want my films to just exist. I want them to be judged for what they are and analyzed, accepted, criticized, whatever you want to call it, on their own terms, not as part of some mall-cop genre.
It has a lot to do with just sort of trust in the relationship that builds between the filmmaker and the subject. There are some people who will never be relaxed in front of a camera, and in some ways that's my failing as a filmmaker to not put them at ease. It's also a function of time, and if you have that type of time.
A lot of times you see really good-looking guys on TV and you sort of assume that maybe there's some sort of vacuity behind them.
There are certain songs that are sacred. People want to hear them just as they are in their head; they don't want you messing around with them. And then there are some other songs, if they've been around a long time in our set list, that I think we can take some creative liberties with.
There's a great desire for people to alter themselves, but it's also the art of transformation. 'I want a bigger butt; I want bigger boobs.' The artifice interests me - how we're capable of altering ourselves. There's a creative element that's very intriguing.
In a perfect world, I could be doing some bigger films and balance that with some independent films because they seem to be the most challenging and unique
In a perfect world, I could be doing some bigger films and balance that with some independent films because they seem to be the most challenging and unique.
Some films clearly seem to divide people. And I do think there's something incredibly exciting about the commonality of us as human beings, which some films are lucky enough to tap into.
To seek out making films that are unique and insightful, boundary-pushing and genre-bending, and not films that fit into the neat, little boxes that people "want" (expect) women to be making. In some ways, I guess for me, any filmmaker should strive to be a good director first, regardless of their gender, race, sexual orientation etc.
Our films have to entertain without the viewer being guided to a humdrum set of do's and don't's. At the same time, as a filmmaker, my films should evoke some feelings, some thoughts in their minds. That's the purpose of cinema. It has to be a learning experience without advocating rights or wrongs in a subtle manner.
I'm not saying it isn't frustrating that my films haven't gotten a bigger release, but I'm really happy with them and if you just keep cranking and eventually, if you have a certain sensibility, some of your movies will hit and some just won't.
With the tone of the show, like a lot of the films, the Marvel creative team has found a way to bridge really exciting stuff that has real stakes. They balance some of the action stuff that the fans of the comics really want to see with characters that people can relate to and who are very human.
Some like them hot,some like them cold. Some like them when they're not to darn old Some like them fat,some like them lean. Some like them only at sweet sixteen. Some like them dark,some like them light. Some like them in the park,late at night. Some like them fickle,some like them true, But the time I like them is when they're like you
Even before I wrote any songs, I had this idea of a triangle where the voice was at the top, some sort of guitar element on one side, and then some sort of really basic rhythm on the other side. That's where I started from in the recording process.
If you look at some shows that have an ugly feel to them, or a nihilistic sort of feel to them, you'll usually find a group of cynical, unhappy, miserable people behind the production. If you see a show that's rather boring, or a cookie-cutter factory show, you'll usually find some pretty uninteresting, boring people behind it.
I'm completely surrounded, not only my father, but also my three brothers, and Sergio, my husband, all four of them work in film. Some are writers, or directors, or cinematographers, all of them. I'm surrounded by men that make films, so much that at some point I felt there was no more room in the family for another filmmaker.For many years I was only working as novelist or writing screenplays for others to direct.
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