A Quote by Paul Davies
No attempt to explain the world, either scientifically or theologically, can be considered successful until it accounts for the paradoxical conjunction of the temporal and the atemporal, of being and becoming. And no subject conforms this paradoical conjuction more starkly than the origin of the universe.
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Science is an attempt, largely successful, to understand the world, to get a grip on things, to get hold of ourselves, to steer a safe course. Microbiology and meteorology now explain what only a few centuries ago was considered sufficient cause to burn women to death.
All suggested accounts of the origin of the solar system are subject to serious objections. The conclusion in the present state of the subject would be that the system cannot exist.
To say that the universe was here last year, or millions of years ago, does not explain its origin. This is still a mystery. As to the question of the origin of things, man can only wonder
and doubt and guess.
Give us detailed, testable, mechanistic accounts for the origin of life, the origin of the genetic code, the origin of ubiquitous bio macromolecules and assemblages like the ribosome, and the origin of molecular machines like the bacterial flagellum, and intelligent design will die a quick and painless death.
Astrobiology is the science of life in the universe. It's an attempt to scientifically deal with the question of whether or not we're alone in the universe, looking at the past of life, the present of life, and the future of life. It's an interdisciplinary study incorporating astronomy, biology, and the Earth sciences.
The idea that excites me the most concerns the two greatest puzzles in science: the origin of the universe, and the origin of consciousness. The origin of the universe is what I do for a living, working on string theory. But I am also fascinated by consciousness.
What has made it work, or what makes certain paintings successful or not, has to do with my being a painter and a thinking, feeling person, more than my sex, color, height, origin.
I've filmed before in the U.S. and have more than 80 roles in TV, film, and theatre, but the feeling of becoming a part of the Marvel Universe as Colossus is incredible. Sometimes you just can't explain that moment, but when you think about it, you feel so happy and proud.
Ask yourself, 'what's more important - being real and being myself, or becoming successful? And ask the question knowing that you never actually have to choose between being real and being successful. You simply have to choose between being realand striving to be successful. Get the difference?
Buddhist nirvana ... is based on egolessness and is not anthropocentric but rather cosmological. In Buddhism, humans and the things of the universe are equally subject to change, equally subject to transitoriness or transmigration. A person cannot achieve emancipation from the cycle of birth and death until he or she can eliminate a more universal problem: the transience common to all things in the universe.
A universe with a creator would be a totally different kind of universe, scientifically speaking, than one without.
The Europeans are all deeply tainted with prejudices, both ecclesiastical and temporal, which they can never get rid of. They are all infected with episcopal and presbyterian creeds, and confessions of faith. They all believe that great Principle which has produced this boundless universe, Newton's universe and Herschell's universe, came down to this little ball, to be spit upon by Jews. And until this awful blasphemy is got rid of, there never will be any liberal science in the world.
There was a time, right up until the end of the Second World War and beyond, when white people in Europe thought that they basically owned the world and that everybody else was a sort of servant, or a curiosity, or whatever. And that informed 99 percent of the photographic practice that was done. Without being able to address that, I felt I would have failed in my attempt to explain what the urge to document is.
There's an element to songwriting that I can't explain, that comes from somewhere else. I can't explain that dividing line between nothing and something that happens within a song, where you have absolutely nothing, and then suddenly you have something. It's like the origin of the universe.
Nietzsche's 'perspectivalism' was expressly directed against the 'laughable juxtaposition of "man and world"'. But 'absolutist' accounts, too, typically try to demonstrate that human beings are integral components of the world these accounts articulate - that, for example, we are simply material bodies subject to the same natural processes as everything else.
It is the duty of every man to render to the Creator such homage...Before any man can be considered as a member of Civil Society, he must be considered as a subject of the Governor of the Universe.
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