A Quote by Paul Di Filippo
The three touchstones that woke Buddha up - sickness, old age, and death - are a pretty good place to start when crafting a tragic tale. And if we need to get more specific: heartbreak, destruction, miscomprehension, natural disasters, betrayal, and the waste of human potential.
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When in doubt, the rule of threes is a rule that plays well with all of storytelling. When describing a thing? No more than three details. A character's arc? Three beats. A story? Three acts. An act? Three sequences. A plot point culminating in a mystery of a twist? At least three mentions throughout the tale. This is an old rule, and a good one. It's not universal - but it's a good place to start.
I Need a Good Book I need a good story. I need a good book. The kind that explodes Off the shelf. I need some good writing, Alive and exciting, To contemplate all by myself. I need a good novel, I need a good read. I probably need Two or three. I need a good tale Of love and betrayal Or perhaps an adventure at sea. I need a good saga. I need a good yarn. A momentous and mightily Or slight one. But with thousands and thousands And thousands of books, I need someone to tell me The right one. -John Lithgow
The good news is that we are Buddha.
The bad news is that all beings are Buddha.
The sickness of being human is the sickness of wanting to be unique.
My teacher said once that every man faces seven enemies in his lifetime. Sickness, hunger, betrayal, envy, greed, old age, and then death.
There also is the plight that comes from natural disasters; these natural disasters could be alleviated or dealt with; we only need some time to do it.
In a sense sickness is a place, more instructive than a long trip to Europe, and it's always a place where there's no company, where nobody can follow. Sickness before death is a very appropriate thing and I think those who don't have it miss one of God's mercies.
I started getting more and more active around immigration reform because this was such a waste of lives, such a waste of potential, such a waste for our country not to have the human capital that we developed - geared toward improving our entire society.
I sometimes think it's like a weird elastic band. The more tragic your work is, the quicker you snap back. There's a catharsis in telling a miserable old tale; you get rid of demons.
You need community support. You're pretty defeated when you're laid low with a mental illness. It's a frightening place to be, and to get up and be able to stand and to move forward and to start functioning again, you need so much support. You need to feel you're not alone.
Gangsters live for the action. The closer to death, the nearer to the heated coil of the moment, the more alive they feel. Most would rather succumb to a barrage of bullets from a roomful of sworn enemies than to the debilitation of old age, dying the death of the feeble. A gangster becomes as addicted to the thrill of the battle and the potential to die in the midst of it as he does to he more attractive lures in his path. In his world, the potential for death exists every day. The better gangsters don't shy away from such a dreaded possibility but rather find comfort in its proximity.
History tells us more than we want to know about what is wrong with man, and we can hardly turn a page in the daily press without learning the specific time, place, and name of evil. But perhaps the most pervasive evil of all rarely appears in the news. This evil, the waste of human potential, is particularly painful to recognize for it strikes our parents and children, our friends and brothers, ourselves.
If I had been helping the Almighty when he created man, I would have had him begin at the other end, and start human beings with old age. How much better to start old and have all the bitterness and blindness of age in the beginning!
You see I learnt at an early age what it was to be angry - angry and helpless. And I can never forget it. I knew more about - love... betrayal... and death, when I was ten years old than you will probably ever know in your life.
We don't need any more regulation from government. You don't need overarching moralism to tell you how to live because human beings actually have a pretty well-developed moral center. The more government intrudes on the basic decisions you make, the further away you get from your natural morality.
The critical question for our generation—and for every generation— is this: If you could have heaven, with no sickness, and with all the friends you ever had on earth, and all the food you ever liked, and all the leisure activities you ever enjoyed, and all the natural beauties you ever saw, all the physical pleasures you ever tasted, and no human conflict or any natural disasters, could you be satisfied with heaven, if Christ were not there?
The theatre is a tragic place, full of endings and partings and heartbreak.
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