A Quote by Paul Di Filippo

'James and the Giant Peach' magnificently starts out Dahl's career as a blithe and droll Bad Uncle corrupter and affirmer of youth. Its influence can be subsequently traced down the decades in everything from Maurice Sendak to Lemony Snicket to J. K. Rowling.
I can remember exactly where I sat when my teacher first read Roald Dahl's 'James and the Giant Peach'.
Lemony Snicket. Now, I'm told - the books, of course, starting from the very first one, became hugely popular, selling millions and millions. And I understand that when you used to go around to talk to your very young fans, you would appear as Lemony Snicket's representative or agent.
The more I protest that I'm not Lemony Snicket, and that I'm Daniel Handler instead, the more it becomes clear to the audience that I am in fact Lemony Snicket, that I am in fact standing in front of them.
I was once almost forced off the stage at a large chain bookstore that shall remain nameless, because she introduced me as Lemony Snicket, and I immediately interrupted her and said, "Oh no, Lemony Snicket isn't here," and then she tried to cancel the event right then and there.
In the 1970s and 1980s there was so little decent fiction for young people, but we're now in a golden age that shows no sign of fading. Philip Pullman, J. K. Rowling, Lemony Snicket are only three of the best known among a good number of equals.
Reader: Dear Mr. Snicket, What is the best way to keep a secret? Lemony Snicket : Tell it to everyone you know, but pretend you are kidding.
My great influence has been Maurice Sendak, who drew 'Where the Wild Things Are.' His characters really interact with each other.
The fact that Maurice Sendak said, "This is something that I made at your age, this was something that was personal to me, and now you need to take it and make something that's personal to you." I don't know, but we made the Where The Wild Things Are movie that we set out to make, and Maurice loves it. If Maurice was anxious about it, then I would be petrified.
My parents live out in the middle of nowhere, in the middle of this peach orchard. It's actually Peach County, one of the largest peach-growing counties in Georgia. It's very rural, and there is nothing much going on, so I guess that's had a big influence on everything as far as just not having much to do.
I grew up with probably three different authors having a seminal influence on my childhood, Dr. Seuss being one and Maurice Sendak being another.
My favourite character in fiction was probably either James from 'James and the Giant Peach' or Ender from 'Ender's Game.' They were just ordinary people who were living under various amounts of struggle, and just to follow their journeys and see them break out of that and live extraordinary lives - I think that gave me a lot of hope as a kid.
I grew up with probably three different authors having a seminal influence on my childhood, Dr. Seuss being one and Maurice Sendak being another. That was my parents, who exposed me to their stories. That's how I was introduced to the whole idea of not just reading, but storytelling in general.
I was so grateful that Lemony Snicket wasn't the worst movie ever made that I overlooked many things that might have otherwise upset me.
Maurice Sendak is the daddy of them all when it comes to picture books - the words, the rhythm, the psychology, the design.
I often can't remember which scenes are and aren't in the final product, because I saw so many different versions of the Lemony Snicket that I forget which ended up on the cutting-room floor.
Ursula Nordstrom was famous for finding artists in unlikely places. Maurice Sendak was a window designer, and she just came across one of his windows. Everyone was looking to find a talent.
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