A Quote by Paul Dinello

I felt like there was a certain standard that we held 'Strangers' to, so I think about that whenever I work on something. — © Paul Dinello
I felt like there was a certain standard that we held 'Strangers' to, so I think about that whenever I work on something.
Standards are different for all things, so the standard set by man is by no means the only 'certain' standard. If you mistake what is relative for something certain, you have strayed far from the ultimate truth.
I think it's difficult to be honest about certain aspects of my work without acknowledging that I have experienced or felt or questioned certain of the themes in the books.
The things I felt... about certain painters of the past that... inspired me, like Cezanne and Manet... that complete losing of oneself in the work to such an extent that the work itself... felt as if a living organism was posited there on the canvas, on this surface... That's truly... the act of creation.
There are certain actors I think I can approach whenever I am working on something and Shah Rukh is one of those. He's somebody whom I'd love to work with.
I'm not a public figure; I shouldn't have to be held to a certain standard of beauty.
I just think, obviously as players, we're held to a higher standard. I've had to watch myself on that, but I think if we're held to higher standards, the owners should be held to even higher standards.
I always felt like there was a certain standard of music that I had to do from the beginning, even when I didn't have the recognition that I have now.
I always say I never felt 'latched' to a gender. I just kind of always felt like myself, and I never felt like I had to do certain things or be a certain way to fit into a certain mold.
The judgment that every voter is making of every one of us [running for presidency] who has the experience, who has the vision, who has the judgment to be commander in chief. That is the most important decision for the voters to make. That's a standard I'm held to. And it's a standard everyone else is held to.
When you're making a movie, you don't think about the outcome. That's something I'm grateful for: whenever I go and do a new project, I never think about the outcome. It's always just about the work at hand. That's the fun part. The other part is always something I've had a struggle with, which is promoting the film. I know it's important.
I felt a certain modicum of success because I had been paid well to be an actor for the first time in my life, but I felt like I had done adolescent work on the show, and stepping into the New York theater arena was the first time I felt like I'd come into my own. I felt like I was proving myself in a gladiatorial arena.
Something I've always written about is social expectations: that the eyes of the community are on you all the time, expecting you to line up with certain social norms, certain behaviours. Whenever you forgot about them, they'd be strongly reiterated to you, in no uncertain terms.
I'm more comfortable with whatever's wrong with me than my father was whenever he felt he failed or didn't measure up to the standard he set.
When I think back on my childhood and the things that happened to me, there were certain periods of time where I felt like I was being saved for something. I feel like I have a gift, and it would be a sin to waste it.
I have a horror of being self-indulgent and wasting time, and there is that risk in doing this kind of work. Are you totally deluded in sitting down at a desk every day and trying to write something? Is it self-indulgent, or might it possibly lead to something worthwhile? At a certain point I decided to keep on because I felt like the work was getting better, and I was taking great pleasure in that.
We're like on a rollercoaster and I don't like that because a sign of a good team is consistency, and consistency is a work ethic and it's about producing that standard, and if you can produce that standard week in, week out, whether you win or lose, that's a different thing.
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