A Quote by Paul Dini

I'll continue doing 'Jingle Belle' as long as I've got a good story for her. — © Paul Dini
I'll continue doing 'Jingle Belle' as long as I've got a good story for her.
Jingle bell, jingle bell, jingle bell rock. Jingle bells swing and jingle bells ring. Snowing and blowing up bushels of fun. Now the jingle hop has begun.
If 'Jingle Belle' harkens back to anything, it's sort of the Harvey Comics. Not really 'Archie,' but more of a teenage version of what Harvey Comics would have become, with the type of fantasy wonderland of her and her various friends.
'Jingle Belle' spins out of my love for just sitting down and reading a good, fun Sunday morning comic strip panel.
I remember doing 'The Long Fall of One-Eleven Heavy,' and I'd been reporting that story for a long time; I had a lot of good facts, but I had no story. I didn't know what the story was.
I feel with this film that as long as we tell Philomena's story and as long as we're true to her, which Jeff and Steve have already done by writing the story... we must not sell her short;. She's a most remarkable woman and all my concern was that we must be absolutely true to her story.
It's very difficult to have a successful series that can continue to capture and captivate an audience and keep people interested. Because the story, you've got to be able to continue to tell this story.
My dad, being a jingle writer, and my mom, being a jingle singer, they hooked me up with some people when I was a kid that worked with children's jingle singing groups. I used to sing jingles as a kid.
That's what was so amazing about 'Mulan.' Here is this story with all Chinese characters, and yet so many people related to her character and loved the story. So I really think as long as you have a good story that relates to a lot of people, it doesn't matter what ethnicity it is.
You've got to love what you're doing. If you love it, you can overcome any handicap or the soreness or all the aches and pains, and continue to play for a long, long time.
You've got to love what you're doing. If you love it, you can overcome any handicap, or the soreness, or all the aches and pains and continue to play for a long, long time.
Jingle bells, jingle bells, Jingle all the way, Oh what fun it is to ride, In a one-horse open sleigh, hey, Jingle bells, jingle bells, Jingle all the way, Oh what fun it is to ride, In a one-horse open sleigh...
When you move the camera, or you do a shot like the crane down (in Shawshank) with them standing on the edge of the roof, then it's got to mean something. You've got to know why you're doing it; it's got to be for a reason within the story, and to further the story.
A man has to find a good woman, and when he finds her he has to win her love. then he has to earn her respect. then he has to cherish her trust. and then he has to, like, go on doing that for as long as they live. Until they both die. That's what it's all about. That's the most important thing in the world. That's what a man is, Yaar. A man is truly a man when he wins the love of a good woman, earns her respect, and keeps her trust. Until you do that, you're not a man.
I put on such a good show, the story is outrageous, and people don't want to hear that I'm basically a reasonable human being. As long as it continues to get me print, I'll continue to perform in an exuberant manner.
It's really hard to say how long the show will last and will continue. I hope it lasts for a very long time. As long as kids watch it, anyway. But beyond this, sure, I would love to be doing film. I'd love to be doing more theater and perhaps even writing.
If it's commercial fiction that you want to write, it's story, story, story. You've got to get a story where if you tell it to somebody in a paragraph, they'll go, "Tell me more." And then when you start to write it, they continue to want to read more. And if you don't, it won't work.
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