A Quote by Paul Dini
It's a lot of fun to identify with a character who lives by their own rules.
Related Quotes
Flaws reveal a lot about a character and who people are. The flawed elements of a character are where I find their humanity. Those are the things I tend to identify with - the weaknesses. I don't know why, but I identify with struggle more than with success.
It's fun to play a character that you can identify with.
If you can get an audience to identify themselves with a character, they will subconsciously feel that their own lives are in danger. People tend to pay attention in situations like that. I think fear is the easiest, and most visceral, emotion to activate in an audience.
I don't own an ounce of the work I've ever done on 'Batman,' and I still work on 'Batman.' I love the character, I think it's a lot of fun, and it's kind of fun to be in that ballpark every once in a while, where you're seeing a different crowd.
It's always fun to play a character that bends the rules.
I spent a lot of time playing in miserable places that were not a lot of fun. Somebody once said it is character building and I was like: My character is just fine.
People have to identify with their own stories, with their own lives, so a movie belongs to a country and to a culture. Sometimes we can share, but it's very rare.
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
Public lives are lived out on the job and in the marketplace, where certain rules, conventions, laws, and social customs keep most of us in line. Private lives are lived out in the presence of family, friends, and neighbors who must be considered and respected even though the rules and proscriptions are looser than what's allowed in public. But in our secret lives, inside our own heads, almost anything goes.
I think 'Scarface' is a great film, but if you have a character like Tony Montana, you don't identify with him at all. I think it's very interesting instead to identify yourself with a character you don't like all the time. You can create a tension between the fiction and the viewer. You force the spectator to wonder about his actions.
I remember, when I went away to college at Southern Methodist University in Dallas, my aunt sent me a book with the rules of being a Southern Belle. One of the rules was to never wear white after Labor Day. Fashion has a lot to do with confidence and making up your own rules.
'The Interceptor' has an excitement and grittiness to it, but it's also very entertaining. It lives in this sphere of a slightly heightened reality where, although you completely identify and recognise all the characters in it, they're fun and exciting to watch.
The thing I respond to the most is just great writing, interesting characters. I like to think that there is something fun about playing a character that has a lot of authority in her own life.
I guess there's a certain amount of poking fun at certain characters, but that's because there is something amusing about them or about the way they behave, so I guess you can say that that's poking fun at the character. But the character is your own invention, so who cares?
My own view is that the Churches should frankly recognise that the majority of the British people are not Christians and, therefore, cannot be expected to live Christian lives. There ought to be two distinct kinds of marriage: one governed by the State with rules enforced on all citizens, the other governed by the Church with rules enforced by her on her own members." --about the only statement i agree with in this book
It's fun playing a more feminine part. I can identify more with a woman of passion and emotion than with a cartoon character. Who knows what a cartoon feels?
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