A Quote by Paul Dini
To some degree, I don't think 'Batman' works in a completely modern city; I think Gotham has be reflective of his personality and those of his enemies.
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Chris [Nolan] comes at this with such a different take on Batman, so I didn't feel that I had to be true to any other actor playing this role. Of course, I read the comic books. His relationships with Lt. Gordon and with Batman, with Gotham City, those really helped me the most.
First of all, what made him [Duke in "Zero Year"] captivating is this sense of somebody who wants to save the city regardless of whether Batman wants to or not, but has been inspired by Batman. He's always been - not combative with Batman or anything - but I think he has a sense that what Robin is and what heroism is in Gotham is something that's inspired by Batman and sort of separate from Batman.
Taking Batman globally, not everything is going to have the same flavor as Gotham City; some places are going to be a lot more bright and airy. I would say that his stories are more broad, I guess I would put it that way.
I think that the photographer must completely control his picture and bring to it all his personality, and in this area most photographs never transcend being just snapshots. When a great photographer does infuse the snapshot with his personality and vision, it can be transformed into something truly moving and beautiful.
I always think it's absurd when people go, 'How can you have a show about Batman without Batman?' 'Gotham' is plenty fascinating, 'Chinatown' style.
One of the reasons Batman works as a character is that it's not beyond possibility that he could exist - you could become Batman if you had a billion dollars at your disposal. There's nothing paranormal or superhuman or supernatural about that character. And I think his villains work the same way. You could be one of his villains just as easily.
I think thing that makes Batman so endlessly interesting is that he's one of the most flawed and deeply human characters, even though he seems completely the most inhuman and infallible in costume. Psychologically he's one of the most complicated in both his strengths and his weaknesses. For me, one of his great strengths and weaknesses is that confidence. His emotional self-protection is one of the things that makes him heroic and sacrificing; he doesn't have a personal life. He sacrifices those to be the best hero he can be.
Batman gets close to the insanity of Gotham, to the craziness, to what drives that city mad, and not be driven mad himself - or, at least, most of the time he isn't. That's most like the mission of the C.I.A. We get into the heads of our enemies without becoming our enemy.
I naturally gravitate to darker characters. Gotham. Batman's suit. It's all dark; he's very interesting. It all comes from his builds and guts.
You have to accept that Batman is a fact of life in Gotham City, and on top of that, you have to accept that somehow this city manages to function with a police force that's 90% corrupt.
Look at Cillian Murphy: 'Batman,' 'Tron'... those are some heavy-hitting franchises. But he works his way around it. He manages to have a great career and a great life.
I love Kanye West. I think he's a visionary. He's one of those people for whom I separate his personality from his artistry.
He smiled, and it made his dimples come out. “I think I’m more Batman,” he said. “You know, what with all the bats and nighttime activities. And Batman is much cooler.” “Geek.” His smile widened. “You say the nicest things. Haven’t you heard? Geeks run the world now.” -BLACK DAWN
I spoke to Geoff Johns a lot. We went back and forth, and found a way to bring up the best qualities in his personality and psychology and also fill a niche in Gotham that we've never seen. It became about is there a way to really plant this hero in Gotham and say this is someone you haven't seen before - both in terms of who they are as a person and who they are as a hero.
I think a master craftsman is someone who is unpretentious. He has a physical object in front of him and, while he works with a higher aim, he doesn't let his personality get in the way of his art. It's simply about the task at hand and to make it as functional and necessary to the world as he can.
I remember those faces of people who were good I saw that. I saw a father who gave his bread to his son and his son gave back the bread to his father. That, to me, was such a defeat of the enemies, will of the enemies, theories of the enemies, aspirations, here [in Auschwitz].
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