A Quote by Paul Dini
I think you have to serve a lot of masters when you're doing a video game: you're not just telling a linear story or doing something that's all action.
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It's an awful thing to be aware of your own corruption. I think a lot of people are bound by the particular economic system we work in to serve companies and masters who aren't really telling people what they're doing.
I think that when I'm telling a story, I'm doing the best I can to tell the story as fully as I can, and if there are various fractures that happen in the story, then that's just the very thing that the story is as opposed to my looking for avenues of difference in one story. They just really do exist. For me, anyway.
When I uploaded my very first video, I was just looking for something to make me happy. I was confused about what I was doing in my life and had earned a degree that I didn't really enjoy. With that video, I was finally doing something I was passionate about. So it was my way of self-medicating.
When you're doing voice work, you're in a bubble where you just think about the story and the words. They record you on video while you're doing the voice work, so they capture how your face is moving and the gestures you make.
In the past decade, there have been a lot of friends or directors, either gossiping or telling me directly, "What you're doing now is the right thing, your main concern should be taking care of yourself, and not doing action at your age." Well, after first feeling angry, I'd think, to be honest, I really am older. So I thought, all right, but before I retire I'd like to make one last major action film, one good one.
I never make a distinction between doing a film in Hollywood or doing a film independently. It's just the story. It's always the story for me. The constants are that it should challenge me and I shouldn't repeat myself. And the story should always be a story worth telling.
I don't think I have what it takes to make a good action game. I think I'm better at telling a story.
I think the biggest lesson to be learned is that it is almost impossible to just throw a logo on a video. A lot of people think that if you make a really popular video, I can get Pepsi to put a little logo on there and they will pay me a lot of money. We wanted to create something that wasn't just a "slap a logo on the video."
In fiction the narrator is a performance of voice, and it can be any style of voice, but I'm interested in the ways that a voice that knows it's telling a story is actually telling a different story than it intends to. In the way that I can sit here and tell you what I had for breakfast, but I'm really telling you that I'm having an affair, something like that. And I don't think my writing is plain, but I think a lot of my characters are just talking. There is vulnerability there, in that we can start to see through them, we can start to see where they're deceiving themselves.
Whether I'm acting or making it, at the end of the day it's telling the story; action, drama. You want the audience to feel it - the story, the action, the scene, or a particular shot. I just keep working on crafting my art, on how to make action movies.
A lot of the main audience thinks video game-based movies are always horror movies but it's totally not true. In video games you have adventure, sci-fi, horror, action and even comedy. I think that people should accept more that video games are kind of like the best-selling books of the new generation.
When we were on the bus doing the Mr. Show Hooray for America Tour there was a lot of laughter and a lot of pot smoking and a lot of speed metal listening and video game playing. Of course that was all Brian Posehn.
I don't think action for action's sake is so fun, but when it helps tell the story, I love doing a good fight scene.
I'm not sure that the American people are looking for a lot of speeches. I think what they're looking for is action. But one of the things that I do think is important is to be able to explain to the American people what you're doing, and why you're doing it. That is something that I think every great president has been able to do. From FDR to Lincoln to John Kennedy to Eisenhower.
I mean Ireland, in all honesty I owe Ireland a lot because I think, and I'm not just saying this flippantly, Ireland is probably the reason that I do the job I do because when I started doing stand-up I came to Ireland and I just sort of gelled with the idea of doing it the way I do - telling stories.
When I'm doing a drama, I wish I was doing something funny. When I'm doing something funny, I wish I was doing something more serious. I think it's just human nature.
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