A Quote by Paul Dirac

It seems that if one is working from the point of view of getting beauty in one's equations, and if one has really a sound insight, one is on a sure line of progress. — © Paul Dirac
It seems that if one is working from the point of view of getting beauty in one's equations, and if one has really a sound insight, one is on a sure line of progress.
It is more important to have beauty in one's equations than to have them fit experiment... It seems that if one is working from the point of view of getting beauty in one's equations, and if one has really a sound insight, one is on a sure line of progress. If there is not complete agreement between the results of one's work and experiment, one should not allow oneself to be too discouraged, because the discrepancy may well be due to minor features that are not properly taken into account and that will get cleared up with further developments of the theory.
The rigid electron is in my view a monster in relation to Maxwell's equations, whose innermost harmony is the principle of relativity... the rigid electron is no working hypothesis, but a working hindrance. Approaching Maxwell's equations with the concept of the rigid electron seems to me the same thing as going to a concert with your ears stopped up with cotton wool. We must admire the courage and the power of the school of the rigid electron which leaps across the widest mathematical hurdles with fabulous hypotheses, with the hope to land safely over there on experimental-physical ground.
But the beauty of Einstein's equations, for example, is just as real to anyone who's experienced it as the beauty of music. We've learned in the 20th century that the equations that work have inner harmony.
I don't think you can talk about progress in art - movement, but not progress. You can speak of a point on a line for the purpose of locating things, but it's a horizontal line, not a vertical one.
I think that feeling of reward comes from being able to find sometimes an unexpected reflection or insight that seems to transcend the description itself, where you actually realize you're concluding something that is a point of view, that may come across and actually touch people's conscience or minds in a way that could change, at least if not things, change points of view.
[T]he more clamour we make about 'the women's point of view', the more we rub it into people that the women's point of view is different, and frankly I do not think it is -- at least in my job. The line I always want to take is, that there is the 'point of view' of the reasonably enlightened human brain, and that this is the aspect of the matter which I am best fitted to uphold.
If you're not on set, if you're not on stage, go to class. Find teachers you trust and who push you and who you respect as people. That's what you're getting with a teacher: a point of view. You end up taking those points of view and that turns into your point of view as an actor.
every subjective phenomenon is essentially connected with a single point of view, and it seems inevitable that an objective, physical theory will abandon that point of view.
Mankind is getting smarter every day. Actually, it only seems so. At least we are making progress. We're progressing, to be sure, ever more deeply into the forest.
Yeah, we're definitely not opposed to working with famous vocalists, but we really want to make sure that it's all about the sound of the voice and how appropriate it is for the song, and not kind of 'getting together with people just for the sake of it' kind of thing.
I have a strong point of view, and that's a double-edged sword. It can be a phenomenal characteristic in terms of getting things done, but it can also mean I will be relentless in my pushing for my point of view.
I consider all drama to be the opportunity to see the world from another person's point of view. That seems to be the point of drama, really. And thereby to encourage understanding and even love.
It doesn't take much insight to realize that wars have been getting worse every time - worse from the point of view of the civilian, more and more destructive, more and more total.
Reticence may be an elderly doctrine to preach, yet from the artistic point of view I am sure it is a sound one. Reticence conduces to effect, blatancy ruins it.
But I am sure also that from a political point of view, and from a social point of view the federal link, without infringing the sovereignty of any of the nations which might take part in such as association, could be beneficial.
A point of view can be a dangerous luxury when substituted for insight and understanding.
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