A Quote by Paul Eldridge

We mourn the transitory things and fret under the yoke of the immutable ones. — © Paul Eldridge
We mourn the transitory things and fret under the yoke of the immutable ones.
Modernity is the transitory, the fugitive, the contingent, which make up one half of art, the other being the eternal and the immutable. This transitory fugitive element, which is constantly changing, must not be despised or neglected.
History distinguishes what is accidental and transitory in human nature from what is essential and immutable.
Modernity signifies the transitory, the fugitive, the contingent, the half of art of which the other half is the eternal and the immutable.
It is one thing to mourn for sin because it exposes us to hell, and another to mourn for it because it is an infinite evil. It is one thing to mourn for it because it is injurious to ourselves; another, to mourn for it because it is offensive to God. It is one thing to be terrified; another, to be humbled.
I'm rather bored by the subject - meaning me. It's a sort of a yoke, but at times you know, a yoke is a kind of comfort. And it's always there.
The belief in supernatural forces remains to this day a yoke on the neck of humanity, but at least Thales made it possible, for those of us who wish it, to be free of that yoke.
If you're gonna fret, fret over something you can change. Then stop fretting and do something about it.
To mourn was distressing, but to endeavor to mourn and fail was worse than distress.
But I guess that's the way it is. When you lose something irreplaceable, you don't mourn for the thing you lost. you mourn for yourself.
We all mourn in our own way. I mourn with a great steak.
But to mourn, that's different. To mourn is to be eaten alive with homesickness for the person.
The easiest place to get a natural harmonic on any string is at the 12th fret. All you do is lightly rest one of your left-hand fingers on a string directly above that fret and then pick it.
In affirming God to be supreme in all things, the classical theist describes him in a number of ways. He is perfect, loving, good, infinite, omnipotent, omniscient, eternal, timeless, transcendent, personal, immutable and immanent. But how can this be? Is it really possible to be both eternal and timeless? Immutable and immanent? Personal and at the same time transcendent?
For us, the death of Osama bin Laden is a time of profound reflection. With his death, we remember and mourn all the lives lost on September 11. We remember and mourn all the lives lost in Iraq, Afghanistan, Pakistan. We remember and mourn the death of our soldiers.
They truly mourn, that mourn without a witness.
Every design is a rigorous attempt to capture a concrete moment of a transitory image in all its nuances. The extent to which this transitory quality is captured, is reflected in the designs: the more precise they are, the more vulnerable.
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