A Quote by Paul Emsley
Photography today is so accurate and so good that it's really so much easier just to take photographs and work from them.
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I went back to photography in the 1990s. But from the 60s to the 90s I didn't really take any photographs at all, unfortunately. During that period I lived in France, I lived in England, I lived all over the place in different cities. I didn't take any photographs and because I felt I had really accomplished everything that I wanted to in photography during the period between 61 and 67.
A good print is really essential. I want to take strong documentary photographs that are as good technically as any of the best technical photographs, and as creative as any of the best fine-art photographs. [...] I don't want to just be a photo essayist; I'm more interested in single images...ones that I feel are good enough to stand on their own.
It's good to have an idea about what you want to do with your life before just doing things. If you have goals and dreams, it doesn't really matter if you achieve them, but if you have them it's much easier to not get lost. It's easier to make decisions.
I believe that photography can only reproduce the surface of things. The same applies to a portrait. I take photographs of people the same way I would take photographs of a plaster bust.
It is a nostalgic time right now, and photographs actively promote nostalgia. Photography is an elegiac art, a twilight art. Most subjects photographed are, just by virtue of being photographed, touched with pathos. ... All photographs are memento mori. To take photograph is to participate in another person's mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time's relentless melt
Things changed a little when I started taking photographs for magazines. I was afraid in the beginning. I thought, "Oh I can't do it, because I have never taken a photographs commercially for a magazine." But I wanted to learn so I started. But when I took models from agencies, I took beginners. Sometimes they were really good, but you have to work with them. You have to be good with women and the boys.
Black and white means photography to me. It's much easier to take a good color photograph, but you can get more drama into a black and white one.
Do good work and let that speak for itself. Don't waste time arguing with someone. Instead, show them in your work. That's easier said than done, but it really is the best solution. No one can argue with good work.
I never liked photography. Not for the sake of photography. I like the object. I like the photographs when you hold them in your hand.
I’ve really turned a corner recently in terms of not taking work too seriously, so it is much easier for me to not take my work home.
Photography should be redefined. It's largely technical... Photography is just unbelievably limiting. I always think of David Bailey and all the fashion photographers - they overlap, you can't always tell who did it. I don't really even like photography all that much. I just think it's so overdone.
It doesn't happen very often that you get to work with some really good friends of yours and there's a common language between everyone, you don't have to explain what you're doing, you can just run with it. It makes it just so much easier and more relaxed.
The digital camera takes photographs in practically no light: it will dig out the least bit of light available. I was amazed to see the results of photographs that I wouldn't take ordinarily. That's the advantage of digital photography.
And friends of mine that had photography class in high school would develop the film and make prints and I'd take them back to the track and give 'em away or try and sell them. Much to my parents' dismay, I majored in photography in college.
All photographs are accurate. None of them is the truth.
I didn't do well in high school, but I took photography, and I loved being able to capture moments. It led to more and more photography, and fashion was the angle into photography for me. It was incredible to see photographs by Irving Penn or Helmut Newton. I was really intrigued by that, and that's what led me to New York City.
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