A Quote by Paul Emsley

I have painted and drawn bulls for some time because of their density and all the symbolism they carry. — © Paul Emsley
I have painted and drawn bulls for some time because of their density and all the symbolism they carry.
The film that really struck me was Ridley Scott's Blade Runner. That was a film I watched many, many times and found endlessly fascinating in it's density. I think the density of that film is primarily visual density, atmospheric, sound density, moreso than narrative density.
I don't go to the running of the bulls because I don't like being chased by bulls.
Mythologically speaking, if there's anything I hate worse than trios of old ladies, it's bulls. Last summer, I fought the Minotaur on top of Half-Blood Hill. This time what I saw up there was even worse: two bulls. And not just regular bulls - bronze ones the size of elephants. And even that wasn't bad enough. Naturally they had to breathe fire, too.
Whenever I write, I write what I find to be the way people are. I never use any symbolism at all, but if you write as true to life as you possibly can, people will see symbolism. They'll all see different symbolism, but they're apt to because you can see it in life.
One of the biggest problems of mathematics is to explain to everyone else what it is all about. The technical trappings of the subject, its symbolism and formality, its baffling terminology, its apparent delight in lengthy calculations: these tend to obscure its real nature. A musician would be horrified if his art were to be summed up as "a lot of tadpoles drawn on a row of lines"; but that"s all that the untrained eye can see in a page of sheet music... In the same way, the symbolism of mathematics is merely its coded form, not its substance.
Guys like me are job creators, and we don't like having a bulls-eye painted on our back.
Are people drawn to each other because of the stories they carry inside?
Any number of holier-than-thou honorable realists walk around in the belief that they have accomplished something, simply because they tell you for the hundredth time that a field is green and a red-painted house is painted red.
When I got started, the Bulls weren't even that popular in Chicago. The Chicago Sting, the indoor soccer team, was outdrawing the Bulls. Now you can travel all over the world - Europe, Far East, Africa, wherever - and you see people with Bulls memorabilia or merchandise. It's incredible and the one thing I never could imagined accomplishing.
Superficially insignificant or accidental looking detail [in art] may well carry the most important unconscious symbolism.
I love visual mediums, and I've always painted and drawn.
[Winning the White House was an achievement], but as an African-American, [Barack Obama], I think the symbolism is in how he conducted himself. The symbolism was in - and this sounds really, really small, but it's actually big for African-Americans - the symbolism was not in being an embarrassment, but to being a figure that folks were actually proud of.
The breeding programs for the bulls have improved significantly. The bulls are at a much higher caliber.
Now, kids are bulls**t meters. We can smell bulls**t right away. When something's not real, you can't connect to it.
In some countries, if you carry the Gospel, you can go to jail. You can't carry a cross, because you'll have to pay a fine. But still, the heart rejoices.
I was really drawn to spoken-word style poetry. I loved the rhythms, and for some reason, I was just drawn to this poetry as a way of expressing my feelings, because I didn't have any other outlet.
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