A Quote by Paul F. Tompkins

I came from a big family, with not enough attention. It's classic. I wasn't the baby, but was second to last. It's absolutely the same story that most people have in this [film] business, they're the middle children. I've encountered some people, and it's weird to me, that they were the youngest in their family. I don't understand how that works, they got the attention.
I was more like a middle child. My youngest brother was the baby, so he got all the attention that the baby gets. And my older brothers were getting into so much trouble that I was left in the middle, doing plays. I was up to no good, but my mother didn't know it!
Most of the people I came across in the finance and business world were honest people, doing the best for their staff and for their family. But I encountered many who weren't.
I'm the youngest, too. When you're the youngest of a big family, people are like, "You're the baby, you're spoiled!" The fact of the matter is, when you're the youngest of a big family, by the time you're a teenager, your parents are insane. You're like, "Hey, I'm going roller-skating-" "You're not going roller-skating or you'll end up pregnant like your sister. Why don't you smoke pot and become a lawyer?"
I guess what really forms you as a person is what you do within your family to receive love or attention. In my family, what you had to do to receive attention was to have good conversation at the dinner table or for me to do well at school, and those were really my focuses because that was what was valued the most.
I was just the youngest in the family, and most in desperate need of attention.
I always tell people, 'Coming from such a big Mexican family when there's a new baby every three weeks, you have to do something to get someone's attention.'
I realised when I sang at family parties and Christmases I'd suddenly get everyone's attention, and, being the youngest of three, I thought what a brilliant attention-seeking ploy it was.
We all hold on to some image of the family we want, based one way or another on the family we had. Lots of people are thrilled about the families they came from, others couldn't get away fast enough. Most people fall into that vast middle ground: great affection mixed with a few ideas for improvement. A couple of things they wish could have perhaps been done differently.
I was the youngest of my entire family so you are tap-dancing to try to get the attention of your older cousins. I really hit my social stride in 6th grade, but before that I was a pretty big dork. You learn how to be amusing and how to work for it.
You know, people see [August: Osage County], and I tell them that it's based on my family, and they assume that I came from some kind of horrible, hysterical circumstances. That's not true. My family, my nuclear family, was actually very close. My mom and dad were great parents and they encouraged a real rich, creative life for me and my brothers. My extended family, like every family, has some darkness, and some violence of some kind, emotional or otherwise, in their past.
The Jews have a powerful ally, America, but they do not really have a bigger family in the same way that there is a European family or an Arab-Muslim family. People who fail to understand this ambivalence will never understand this country. They will not be able to understand how Netanyahu could win the last election by saying the Iranians are coming, Islamic State (IS) is coming, the Arabs are coming, and the whole world hates us anyway.
Pay attention to your friends; pay attention to that cousin that jumps up on the picnic table at the family reunion and goes a little too 'nutty,' you know what I mean? Pay attention to that aunt that's down in the basement that never comes upstairs. We have to pay attention to our friends, pay attention to your family, and offer a hand.
Big band music, to me, it really has three key elements. First is the lyrics are really sweet, and they're just really family-friendly. The second thing is the music is jazz music, so the music is complicated enough to hold your attention for 5 or 6 million plays. That makes the songs interesting. The last part is the fact that it's danceable.
Every family has a story that it tells itself, that it passes on to the children and grandchildren. The story grows over the years, mutates, some parts are sharpened, others dropped, and there is often debate about what really happened. But even with these different sides of the same story, there is still agreement that this is the family story. And in the absence of other narratives, it becomes the flagpole that the family hangs its identity from.
I was the youngest of the house that I grew up in, so I feel like, as the youngest, you have it pretty good. At the same time, I guess I required a lot of attention, being afraid of so many different things. So I was never seeking attention; I wanted the opposite.
I think the business of writing a great deal of it is the business of paying attention to your characters, to the world they live in, to the story you have to tell, but just a kind of deep attention and out of that if you pay attention properly the story will tell you what it needs.
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