A Quote by Paul F. Tompkins

To sustain a career in show business, you have to have a certain amount of delusion, because it's such an insane way to make a living. The idea that you're going to say, "Oh, I think I deserve to be paid attention to, and people should listen to what I have to say, and everybody should look at me," that's a little bit delusional in a way.
I've always refused to buy into the idea that I should look a certain way. People say I don't conform to the idea of what an actress should look like, but I am what I am and that's fine.
I think everybody's got a presentation. Everybody looks a certain way because they want to convey a certain image. You look a certain way because you want people to listen to you in a certain way.
When I am talking to people from Germany, we should know that there are certain things and certain histories that are very important for people. If you look at all the Muslims living in the West, they didn't react in a violent way. They don't like what they saw but they are citizens like you and me and they look at it and say: "This is a silly video but we are not going to react."
But I think writing should be a bit of a struggle. We're not writing things that are going to change the world in big ways. We're writing things that might make people think about people a little bit, but we're not that important. I think a lot of writers think we are incredibly important. I don't feel like that about my fiction. I feel like it's quite a selfish thing at heart. I want to tell a story. I want someone to listen to me. And I love that, but I don't think I deserve the moon on a stick because I do that.
I take a little bit from everybody and add that to my life to make me, me. I wanna be nobody else but Future. When you look at me, I want you to say, 'Future.' The way I talk, the way I dress, there's nobody in the world but me.
In the past, you would take the time to write a love letter and you would think about what you wanted to say and compose it in a certain way. Now, everything is so short. It has to be, because it is rushed, and therefore, in a way, it loses a little bit of its importance. But I think it is very important to take the time to say what you want to say.
The way you speak should not determine your intelligence. I should be able to say 'lit,' and you still know I'm intelligent. I should be able to say 'turn up,' and that doesn't take away from my intelligence. I wanted to break down that stereotype a little bit.
I think rock should always stay a little bit outside the pale; I think it should remain a little bit dangerous - a little bit ornery, as the Americans say.
For most women, whether you're an actress or whatever you do, there is this pressure in society and within the world to look a certain way, dress a certain way, act a certain way, say certain things, and be this idea as opposed to being a person.
I am a perfectionist. This job is a total ego thing in a way. To be a designer and say, 'This is the way they should dress; this is the way their homes should look; this is the way the world should be.' But then, that's the goal: world domination through style.
We're at a time now where there's a lot more "I'll do whatever it takes" attitude. I'm not going to say or do what you want me to say or do just because it might help me or be the politically correct thing to do to help my career. And that may have hurt me sometimes. I think about different collaborations that have been brought my way - it might have meant I'd get to be on TV to do certain things, but I've said, "No. It doesn't make sense. I'm not doing it." And other people might jump at the opportunity.
I think I'd rather tell the truth and say what I believe in and make people unhappy than sort of pretend to think something else to accommodate them and try to be liked. That's just the way it goes and I don't think I'm any great champion of anything, but if they're going to put me on a show, I'm going to say what I think.
I think there will come a time when civilized people will look back in horror on our generation and the ones that have preceded it; the idea that we should eat other living things running around on four legs, that we should raise them just for the purpose of killing them! The people of the future will say 'meat-eaters' in disgust and regard us in the same way that we regard cannibals and cannibalism.
I think people were a little bit too concerned about what I would or would not be allowed to say. So let me just get that out of the way and get on to the business of telling, you know, a story, or two, or three, or 15. And also to say, "Okay, look. Here it is, don't worry about it. The restrictions and the watered-down and all the stuff that you thought was gonna happen really isn't the case." So we done got that out the way, and now we can just kind of move on.
Nine out of nine architects start with a sketch, and then they say, 'What should we make it out of?' I start from the bottom up - what should it be made out of - and then I worry about what should it look like. The material, the color of the material, the way it feels, and the way you respond to it is every bit as valid as the form or the shape.
I tell everybody on the first day of making a movie that if anyone's here to further their career, they should leave. I'm gonna make the movie in such a way that we won't have a career when this movie comes out. Because the people who hold the moneybags are not going to want to share any of that money with us to make the next movie!
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