A Quote by Paul F. Tompkins
The podcasting world has changed the way I book my shows. I knew that I could announce a gig on a podcast and that people would hear it. People that like what I do would hear, 'Oh, he's in my city.' And that makes it so much easier.
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Podcasting is not really that different from streaming music, which we've done for quite a long time. Having a traditional podcast that people subscribe to - the hype is ahead of the quality. Podcasting is essentially a download, and you run into copyright issues. What you're left with currently is podcast talk radio.
You hear as many things as you would imagine. I hear voices of people I loved once. I hear moments that took place. I hear silences.
If I knew that today would be the last time I’d see you, I would hug you tight and pray the Lord be the keeper of your soul. If I knew that this would be the last time you pass through this door, I’d embrace you, kiss you, and call you back for one more. If I knew that this would be the last time I would hear your voice, I’d take hold of each word to be able to hear it over and over again. If I knew this is the last time I see you, I’d tell you I love you, and would not just assume foolishly you know it already.
I liked radio, or podcasting. I like talking minus the camera and the script part. All those mediums are different, and they are all different with their pluses and minuses. I would say the podcast is my favorite because I like the freedom of podcasting. With podcasting you can really mess around with the form and the format. The pace of radio is very fast. Boom, boom, with a little six minute segment, then on to the next thing. With podcasts you can talk about something for 25 minutes if you like - there is a lot of artistic freedom with it.
Most people would rather not hear about the environment because it's scary, so my goal was to write something that was readable so that people would learn a lot and not be so depressed that they would throw the book away.
It's so much easier to tell people what they want to hear instead of what they need to hear.
I know that I can forever walk the streets, drive the freeways, and be alive knowing that I created something with someone whom I love so very much that is such a powerful force. I would love for people to hear it the way I hear it [Forest Green].
If you can hear music, you can hear the musicality of the way someone speaks. It's easier to nail down the way that they talk. So much of it is listening, just like in acting. If you're listening, you pick up the nuance of why a person behaves the way that they behave.
It would be a wonderful experience to stand there in those enchanted surroundings and hear Shakespeare and Milton and Bunyan read from their noble works. And it might be that they would like to hear me read some of my things. No, it could never be; they would not care for me. They would not know me, they would not understand me, and they would say they had an engagement. But if I could only be there, and walk about and look, and listen, I should be satisfied and not make a noise. My life is fading to its close, and someday I shall know.
Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.
When superior people hear of the Way, they carry it out with diligence. When middling people hear of the Way, it sometimes seems to be there, sometimes not. When lesser people hear of the Way, they ridicule it greatly. If they didn't laugh at it, it wouldn't be the Way.
What I've learned from my gurus is that when you hear music, you hear a person, or you hear people, and you hear everything about them in those moments. They reveal themselves in ways that cannot be revealed any other way, and it contains historical truths because of that. To me, that is the most important thing. It shouldn't be a footnote, or the last chapter. It should be the complete thesis about a book on listening.
I never wanted to do the mixtape circuit and 300,000 people hear it and that's a chapter of my life and when I do another album I'm coming off of that chapter but the whole world didn't hear that chapter so it's like I would have to start over.
L.A. has always been hated on so much. I remember, the first time I went to New York, I was at jam sessions, and people would hear me and come up to me and be like, 'Oh wow, you're from L.A.? Really?'
I would like for people to hear my music and hear/realize that people and experiences are deeper than what's at face value. Hopefully, with the span of my career, I can try to convey that in more ways than one.
You hear so much awful stuff before you have a kid, like you'll never sleep again, we always knew it would be utter garbage. We're pretty relaxed people, the less stressed you are the more easy you'll find parenting.
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