A Quote by Paul F. Tompkins

Performing live can be a drag, the process that leads up to the actual performance. It's all the travel, it's working up all the details and everything, which I hate. — © Paul F. Tompkins
Performing live can be a drag, the process that leads up to the actual performance. It's all the travel, it's working up all the details and everything, which I hate.
In an ignorant country, everything will try to drag you down! Stay firm, aim at the stars, keep going up and drag up the people who are trying to drag you down!
Learn as much as you can about performing. Live theater, improv classes, music, stand up comedy, dance, anything to make yourself confident and comfortable in front of an audience. It'll all come in handy when auditioning for producers and performing with other actors. The best voice actors all have a live performance background. And are competent, fearless, incredibly creative actors.
A drag queen is one that usually goes to a ball and that's the only time she gets dressed up. Transvestites live in drag. A transsexual spends most of her life in drag.
Forgetting your mission leads, inevitably, to getting tangled up in details-details that can take you completely off your path.
I am obsessed with planning travel! Not just traveling, which I love, but the whole planning process and all the details that go into it. I subscribe to all these travel blogs and airline forums and research hotels and activities and destinations for hours on end, and I volunteer to plan trips for everyone I know.
I travel with a lot of clothes, which is a really bad idea because it's such a nightmare to travel. I always overpack because I like to bring things with me, and I accumulate stuff, so it piles up. I travel with everything I own.
I am called to love my neighbor, which I do. I can disagree with my neighbor about several things, but I'm not going to hate my neighbor. It's not up to me to hate anybody. It's not up to me to judge anyone. It's up to me to be nice, to be kind and to do everything I can to help somebody.
You need 10,000 hours to figure out how to be good at something and I agree with that to a certain extent. It's like everything you do to lead up to a great recording or great performance is everything you've done in the past and you can't just, it's rare that someone wakes up in a void and goes and wakes up and makes the most brilliant recording or performance.
I do love live performing, but I'm not a stand-up naturally, and I don't like the lifestyle of working just in the evenings at clubs.
I love the process of dressing up, and people that dress up, and serving looks and drag queens and club freaks and all of that.
I'm interested in really particular details, ideas, thoughts, and emotions, yet it's defused with performance, where you can play with hiding things, or be more confrontational about something shielded. There is this process of layering in performance.
I think I'm a story-based artiste. So I would opt for the performance-oriented role. I usually go by intuition while choosing a script. Also, I do not analyse my performance, nor do I bother about how my film has been performing at the box office. I personally love challenges and am game for taking up things which I haven't attempted before.
Recording and performing 'Replay' was a learning process throughout, as we focused on the details.
I do love live performing, but I'm not a stand-up naturally, and I don't like the lifestyle of working just in the evenings at clubs and stuff - not a natural gig-er.
White hate crimes, white hate speech. I still try to claim I wasn't brought up to hate. But hate isn't the half of it. I grew up in the vast encircling presumption of whiteness - that primary quality of being which knows itself, its passions, only against an otherness that has to be dehumanized. I grew up in white silence that was utterly obsessional. Race was the theme whatever the topic.
I just don't know that we're as filled with hate as cable news leads us to believe. It's hard to hate up close.
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