A Quote by Paul Fleischman
I'm a very careful, slow writer, and I think a lot of that comes from the care required to be a hand-printer, where if something isn't spaced out enough, you take little slivers of brass or copper and put them between each letter.
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I got to thinking—when it was too late—you have to reach out to people. To your family, too. You can't just let them sit there, you should put your hand out. If they slap it back, well you reach out again if you care enough. If you don't care enough, you forget about them, if you can.
He has an armload of irises and daisies and tulips and he presents them to me. I didn't know what kind of flowers you like.I like them all.Yeah?Yeah.He tries to hand them to me, but then remembers the cast. I'll put them in water.Betty swoops in the room ridiculously fast and she grabs the flowers out of Nick's hands. I'll take care of them. You lovebirds just sit on the couch and think swooning things at each other.
My father was very political. But he told me, "Be very careful when you get into politics, because there's no black and white. There's an in-between in everything. So look at that side, don't take one point, because then you are negating half of the other people. Try to find the logic on a problem, something that you believe, and take the position that you believe, but be very careful about it." So I was very well trained in that aspect.
I think the films and the paintings erase each other. The paintings are extremely slow and constantly going on in the studio - they're constantly regenerating themselves in this slow, monotonous way that's a physical struggle and can be a pain in the ass. They're all based on very specific math and diagrams. And the films, when I'm making them, are very fast, very collaborative, with a lot of improvisation.
I think rappers are the fall guy because some of us don't have the wits to point the finger back. The thing is when you take a whole generation and whip them out, string the mothers out and put the fathers in jail - the reason I know respect is because my father is the mediator between me and my grandfather. I'm the mediator between my son and my father because I'm old enough to understand where my father is coming from and young enough to understand what my kid is trying to do. When you whip out the mediator the kids run wild and the old people are scared of them.
It's so important for me to keep a good house. I take a lot of pleasure in cooking and I think there is a lot in common between cooking and film-making. You put all these ingredients together to make something wholesome. Except the rewards in cooking come a little sooner.
In comparison to the U.S. health care system, the German system is clearly better, because the German health care system works for everyone who needs care, ... costs little money, and it's not a system about which you have to worry all the time. I think that for us the risk is that the private system undermines the solidarity principle. If that is fixed and we concentrate a little bit on better competition and more research, I think the German health care system is a nice third way between a for-profit system on the one hand and, let's say, a single-payer system on the other hand.
The good thing is I don't put the ball in my right hand and I'm predominantly left-handed when I'm running the ball. I just have to take care of the football and even if I have two hands that are 100 percent, I still can't turn the ball over. It's just something I have to mentally prepare for, and I think I'm strong enough to do that.
Listen and learn: you need fourteen characters, minimum. Use random letters, not words. Here’s a tip: think of a sentence, and use the first letter in each of those words. Mix it up between upper and lower case. Then pick two numbers that mean something to you – not dates – and stick them somewhere between the letters. Put a punctuation mark at the beginning of the password and then a symbol, like a dollar sign, at the end.
He read the letter again, but could not take in any more meaning than he had done the first time and was reduced to staring at the handwriting itself. She had made her g's the same way he did : he searched through the letter for every one of them, and each felt like a friendly little wave glimpsed from behind a veil. The letter was an incredible treasure, proof that Lily Potter had lived, really lived, that her warm hand had once moved across this parchment, tracing ink into these letters, these words, words about him, Harry, her son.
I care about actors, and I understand them in a very personal way. I'm not saying every writer has to do that, but in my case, it's been helpful. I can put myself into the scene and think, 'What would it be like to act this?' Any writer who's really good probably does that to some extent.
Writer's block is a natural affliction. Writers who have never experienced it have something wrong with them. It means there isn't enough friction-that they aren't making enough of an effort to reconcile the contradictions of life. All you get is sweet monotonous flow. Writer's block is nothing to commit suicide over. It simply indicates some imbalance between your experience and your art, and I think that's constructive.
I'm not a writer because I want to make money. I'm a writer because I'm a very slow thinker, but I do care about thinking, and the only way I know how to think with any kind of finesse is by telling stories.
Seven years I worked at the Polish deli. It's a very slow deli. So I sat around a lot on my stool at the cashier. And I'd sign my autograph on all the bags I'd put the milk in. Just everyday, practice my autograph. And the manager of the store would take some of them and tape them against the wall. And he'd say, "Some day, I'm telling you, it will be worth something." And I'm like 13, going, "Really?!" And when I go back there, he still has them on the wall. It's very cute.
One felt as if there was an enormous well behind them. Filled up with ages of memory and long, slow, steady thinking; but their surface was sparkling with the present : like sun shimmering on the outer leaves of a vast tree, or on the ripples of a very deep lake. I don’t know, but I t felt as if something that grew in the ground—asleep, you might say, or just feeling itself as something between roof-tip and leaf-tip, between deep earth and sky had suddenly waked up, and was considering you with the same slow care that it had given to its own inside affairs for endless years.
We're on the brink of the next industrial revolution. Instead of buying things, you can make them on a printer. When you have a 3D printer, you can iterate more - what used to take months, now takes hours.
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