A Quote by Paul G. Tremblay
The closer a horror story gets to the truth of things, the more affective it is going to be.
Related Quotes
Truth is often a multiplicity of perspectives, and sometimes the more viewpoints and versions of events there are, the closer the reader gets to an overarching truth.
The closer one gets to either the eastern or the southern fringe of the German-speaking world-the closer one gets, in other words, to the threatening and more numerous Slavs-the more insecure and dangerous nationalism becomes.
Horror used to be one thing, and I think that's starting to broaden - there can have subgenres, and other things can be going on in a horror story. In comics, you'll never get the 'Boo' effect in a comic; you can go for mood, atmosphere and personal tragedy to build the horror elements and sense of dread.
I believe with an extreme story the closer you look the more horrifying it gets.
The closer one gets to elections or wars, the further one gets from the truth.
If you take a lie and allow your desire for the truth, you'll end up with some truth - not fact, but something that gets you closer to the truth. That's what we want. When we go to a play, we need to be assured that the experience we're having.
The book is about zombies, in that it is the over-arching theme, but what's going on is the story of these people and how these survivors deal. I think that's so much more of an interesting story, and that's what really gets and hooks these readers into the book and the show. It's a mix of fans of drama, fans of AMC, fans of horror and fans of Frank [Darabont]. It's a lot of people just coming together and realizing a genre doesn't have to be fixed in one specific detail.
A good horror movie - it doesn't matter how many comedy horror films there have been before. Doesn't matter how much you think it's going to be funny. A good horror movie will scare the hell out of you... the moment you sit down and you start being exposed to that story, it's going to freeze your blood.
I thought I was going to be a horror story writer. My influences were horror writers, like Rich Matheson, Ray Bradbury and Bram Stoker.
I love music which helps me get focused and keeps my thoughts away from other things. The music gets heavier as the race gets closer, and my warm up routine starts to get a bit more intense with heart rates, etc.
think people get scared that they’re not going to be able to do it perfectly - they’re going to be criticized - they’re going to be like, “Well, I’m not totally green.” Well, you know what? At this point we don’t care... Just a shade of green is enough right now. Move a little bit closer towards this. Because the more people start moving closer and closer to it, that’s something that collectively makes a difference.
For me, the problem of time is linked up with that of death, with the thought that we inevitably draw closer and closer to it, with the horror of decay.
Horror is a reaction; it's not a genre. Somebody's life would have to be in danger for it [story] to be a horror story.
I'm mentally getting myself ready to talk about it all year long because I know it's going to come. My main focus is not to really concentrate on that... So many things have to line up, to be healthy and consistent for so many games, to get to that point. I know as we get closer we're going to talk about it more. But believe me, when it's done, if it gets done, it will be a huge achievement and I'm definitely going to soak it in. But at this time, it's not at the top of my mind.
[Eugene Smith] was always writing these diatribes about truth, and how he wanted to tell the truth, the truth, the truth. It was a real rebel position. It was kind of like a teenager's position: why can't things be like they should be? Why can't I do what I want? I latched on to that philosophy. One day I snapped, hey, you know, I know a story that no one's ever told, never seen, and I've lived it. It's my own story and my friends' story.
If you have value as an artist it's probably going to be in your capacity to let things inside you get past things that are placed there to keep you from telling the truth. The more you see things as clearly and coldly as you can, the more value you're going to have.
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