A Quote by Paul G. Tremblay

'A Head Full of Ghosts' was my first full horror novel, and that felt like coming home as a writer. — © Paul G. Tremblay
'A Head Full of Ghosts' was my first full horror novel, and that felt like coming home as a writer.
A large part of the appeal of this novel when I was lucky enough to stumble across the story idea for 'A Head Full of Ghosts' was that I'd finally be writing a horror novel. In a lot of ways, the book is both my criticism of and love letter to horror.
It's not like I'm writing full songs or full parts and setting it aside for Slash because, generally, I like him to make the first move and hear where he's coming from and what his concepts are, and then I build from there.
Towns are full of people, houses full of tenants, hotels full of guests, trains full of travelers, cafés full of customers, parks full of promenaders, consulting-rooms of famous doctors full of patients, theatres full of spectators, and beaches full of bathers. What previously was, in general, no problem, now begins to be an everyday one, namely, to find room.
So why don't you go home for vacations?' I asked her. I'm just scared of ghosts, Pudge. And home is full of them.
I was a lot dumber when I was writing the novel. I felt like worse of a writer because I wrote many of the short stories in one sitting or over maybe three days, and they didn't change that much. There weren't many, many drafts. That made me feel semi-brilliant and part of a magical process. Writing the novel wasn't like that. I would come home every day from my office and say, "Well, I still really like the story, I just wish it was better written." At that point, I didn't realize I was writing a first draft. And the first draft was the hardest part.
No writer, I believe, should attempt a novel before he is thirty, and not then unless he has been hopelessly and helplessly involved in life. For the writer who goes out to find material for a novel, as a fishermen goes out to sea to fish, will certainly not write a good novel. Life has to be lived thoughtlessly, unconsciously, at full tilt and for no purpose except its own sake before it becomes, eventually, good material for a novel.
Under my head till morning; but the rain, Is full of ghosts tonight, that tap and sigh, Upon the glass and listen for reply.
I like horror, but I tend to like it as seasoning. I'd get very bored if I was told I had to write a horror novel. I'd love to write a novel with horror elements, but too much, and it doesn't taste of anything else.
I've seen firsthand coming here with empty pockets but full of dreams, full of desire, full of will to succeed, but with the opportunities that I had, I could make it. This is why we have to get back and bring California back to where it once was.
The response to 'A Head Full of Ghosts' has been amazing and thrilling. I'd be lying if I said I don't feel a little extra pressure trying to follow it up.
I got a head full of headaches, a heart that's full of woes. I'm constantly singin' them down home blues, and not many people knows That leaves me with a twisted view of the whole wide world as I know it... And I guess I got no choice but to be a poet.
Usually after finishing a novel, I have a head full of bad ideas for the next one.
I certainly don't sit down and plan a book out before I write it. There's a phrase I use called "The Valley Full of Clouds." Writing a novel is as if you are going off on a journey across a valley. The valley is full of mist, but you can see the top of a tree here and the top of another tree over there. And with any luck you can see the other side of the valley. But you cannot see down into the mist. Nevertheless, you head for the first tree.
My first novel was turned down by half a dozen publishers. And even after having published five or six books, I wasn't making enough money to live on, and was beginning to think I'd have to give up the dream of being a full-time writer.
Talk about full circle, I never saw this coming. It wasn't like I said, 'Someday, I want to be the head coach at the University of Memphis.'
When I first began to write fiction, I didn't think I was a comic writer; I thought I was a serious writer. I was surprised when the first novel I wrote was regarded as a funny novel.
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