A Quote by Paul Gauguin

Oh yes! he loved yellow, this good Vincent, this painter from Holland - those glimmers of sunlight rekindled his soul, that abhorred the fog, that needed the warmth. — © Paul Gauguin
Oh yes! he loved yellow, this good Vincent, this painter from Holland - those glimmers of sunlight rekindled his soul, that abhorred the fog, that needed the warmth.
Oh yes! He loved yellow, did good Vincent...When the two of us were together in Arles, both of us insane, and constantly at war over beautiful colors, I adored red; where could I find a perfect vermilion?
Yes! He knew how she would love. He had not loved her without gaining that instinctive knowledge of what capabilities were in her. Her soul would walk in glorious sunlight if any man was worthy, by his power of loving, to win back her love.
The chief consideration for a good painter is to think out the whole of his picture, to have it in his head as a whole... so that he may then execute it with warmth and as if the entire thing were done at the same time.
In the last 680 million years of the four and a half billion that this planet has existed, life has been determined by two principal forces: the warmth and the diffused energy of the sunlight coming through our atmosphere, and water. Those are the primordial forces of life - sunlight and water.
How fair doth Nature Appear again! How bright the sunbeams! How smiles the plain! The flow'rs are bursting From ev'ry bough, And thousand voices Each bush yields now. And joy and gladness Fill ev'ry breast! Oh earth!-oh sunlight! Oh rapture blest! Oh love! oh loved one!
Fame stole my yellow. Yellow is the color you get when you're real and brutally honest. Yellow is with my kids[...]The bundle of bright yellow warming my core, formerly frozen and uninhabitable[...]They got yellow from me, and I felt yellow giving it to them and it was all good[...]So, why am I leaving my show? It took my yellow. I wanted it back. Without it I can't live. The gray kills me.
A good painter has two main objects to paint, man and the intention of his soul.
The good painter must paint two things: a person and the essence of his soul.
I loved Winnie the Pooh, the Disney character, and I loved his wit and warmth.
'But surely "blind" is just how you would describe men who have no true knowledge of reality, and no clear standard in their mind to refer to, as a painter refers to his model, and which they can study closely before they start laying down rules about what is fair or right or good where they are needed, or maintaining, as Guardians, any rules that already exist.' 'Yes, blind is just about what they are'
It is the work of the Canadian artist to paint or play or write in such a way that life will be enlarged for himself and his fellow man. The painter will look around him . . . and finding everything good, will strive to communicate that feeling through a portrayal of the essentials of sunlight, or snow, or tree or tragic cloud, or human face, according to his power and individuality.
Inarticulate wretches have been behind most of the major advances in civilization. If Vincent Van Gogh had been able to get on with his neighbours, then he might have become an excellent painter-decorator, and received a big turn out at his funeral, and that would be that. But the genes wouldn't let him.
One can imagine having a procedural rule that anything ambiguous should be treated as the Taj Mahal unless we see that it is labelled "fog". The motorist replies: "What sort of rule is this? Surely the best guarantee I can have that the fog is fog is if I fail to see the sign saying 'fog' because of the fog."
And I needed a rock. Something to hold onto, to stand on. Something solid. Because everything was going soft, turning into mush, into marsh, into fog. Fog closing in on all sides. I didn't know where I was at all.
All of the Antilles, every island, is an effort of memory: every mind, every racial biography culminating in amnesia and fog. Pieces of sunlight through the fog and sudden rainbows, arcs-en-ciel. That is the effort, the labour of the Antillean imagination, rebuilding its gods from bamboo frames, phrase by phrase.
My idol was always Romario. He was playing in Holland at the time and I loved him. His skills, technique, I loved him he was my hero. I liked his whole game. One moment it would be like he was sleeping and then another moment he would change the game.
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