A Quote by Paul Giamatti
Most conspiracies interest me because of the people who are into them, and the lengths they'll go to expose it or the evidence they think they have. All that stuff. There's just something so beautiful to me about people who sincerely believe we never went to the moon. It gives me so much joy.
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Personally, I just want to work on stuff that challenges me, that excites me, and that I think is original. You want to do something that does to other people what films do to you. It's the most wonderful thing in the world when you can lose yourself from reality and go into a story, and believe it and go on that journey with people, and you have to work that will somehow do that. It won't always, but hopefully sometimes.
Can I just tell you, I think it's the most beautiful thing about young people today, it gives me so much hope for the future, that they don't really recognize race the way my generation does.
Advice from my experience, for me, I've never taken no as an answer, I don't believe in that. If I want something, I'm going to get it. When people tell me that I can't do something, it just motivates me more. For me, it makes me smile, because I just want to prove everybody wrong.
It's funny: most people who recognize me on the subway and stuff - it's much more they think of me as a funny guy. I get much more of people telling me how much I make them laugh, actually. Which is nice.
You never make all things for all people and can't always pander to the broadest denominator. I keep an eye toward doing the themes that interest me. Do they move me? Interest me? Make me think? When I run across something that is provocative in an unsettling way, it appeals to me.
Some designers are so airy-fairy people can't connect with them. I hope people can relate to me, to a normal person who just happens to be a fashion designer, that people can take me as they find me. It's not the designer's job to care about what people think. Whatever else I've done, I've never tried to be something that I'm not.
The public interest always surprises me. I come to work in these rooms with no windows. At night I go home. I just live my life. I guess I just don't think much about whether people are going to watch. Most of my friends don't know much about what I do, and we don't talk about it. I have a different life away from work. Which is fine, because my work can get pretty intense.
It never ceases to amaze me the lengths that some people will go to to try and speak to me or meet me.
I have a Tony Award now. It hasn't changed too much in the theater world, but it gives me entree for film stuff and TV stuff, where people will see me more easily now because they know me.
Remembering people is the most fundamental gesture of love and respect. For me, there are people in my life who are no longer with me, who have died, who are with me as much as any living person because I remember everything about them. My great-uncle, who I got a lot of guidance in life from, meant so much to me.
I don't read cartoons because I think for the most part the comics don't have an interest for me. There's just nothing there these days that makes me want to go seek them out. I'm not trying to say my work wouldn't have sparked that same reaction from somebody else. There's just nothing there for me personally.
I'm very careful. I think about everything. Some people go, 'Oh, I went out and bought something and didn't realise how much it was,' but there's no such thing with me. I always think about the future because I never want to go backwards.
Sometimes when people get success they forget about the people that pointed them there or championed them into this position. I pride myself on really understanding. I wouldn't even call it keeping it real. I just call it keeping it me. When they tell me, "You're doing what you're supposed to do," it makes me go ten times even harder, because I know that there are people on the sidelines and they're watching me. They're cheering for me. I want to be the best me I could possibly be when it comes to them.
I've argued this with a lot of people in my life. When people say God blessed me with a beautiful jump shot, it really pisses me off. I tell those people, 'Don't undermine the work I've put in every day.' Not some days. Every day. Ask anyone who has been on a team with me who shoots the most. Go back to Seattle and Milwaukee and ask them. The answer is me -- not because it's a competition, but because that's how I prepare.
I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.
I could go on and on about how the statements and concepts that used to depress me now bring me joy, but that is not easily understood for people who think the way I used to think and believe what I used to believe.
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